Henry Lawson

Henry Lawson

Summary

Portrait of Henry Lawson Henry Lawson Water Them Geraniums

Things always look brighter in the morning—more so in the Australian Bush, I should think, than in most other places. It is when the sun goes down on the dark bed of the lonely Bush, and the sunset flashes like a sea of fire and then fades, and then glows out again, like a bank of coals, and then burns away to ashes—it is then that old things come home to one. And strange, new-old things too, that haunt and depress you terribly, and that you can’t understand. I often think how, at sunset, the past must come home to new-chum blacksheep, sent out to Australia and drifted into the Bush.
Source: Wikisource

Portrait of Henry Lawson Henry Lawson Water Them Geraniums

When you’ve been too much and too long alone in a lonely place, you begin to do queer things and think queer thoughts—provided you have any imagination at all. You’ll sometimes sit of an evening and watch the lonely track, by the hour, for a horseman or a cart or some one that’s never likely to come that way—some one, or a stranger, that you can’t and don’t really expect to see. I think that most men who have been alone in the Bush for any length of time—and married couples too—are more or less mad.
Source: Wikisource

Portrait of Henry Lawson Henry Lawson Water Them Geraniums

There’s a story that once, when the Bush, or rather grass, fires were out all along the creek on Spicer’s side, Wall’s station hands were up above our place, trying to keep the fire back from the boundary, and towards evening one of the men happened to think of the Spicers: they saw smoke down that way. Spicer was away from home, and they had a small crop of wheat, nearly ripe, on the selection.
‘My God! that poor devil of a woman will be burnt out, if she ain’t already!’ shouted young Billy Wall.
Source: Wikisource

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