Herman Cyril McNeile

Herman Cyril McNeile

Summary

Portrait of Herman Cyril McNeile Herman Cyril McNeile Raymond Blair—Drunkard (1923)

Mercifully for us, Blair had subsided foolishly in a corner and was forgotten. The one thing they all understood—a gin-hell fight—had taken his place. And in a gin-hell fight you scrap with the nearest man to you whose nationality is not your own. Wherefore, out of the tail of my eye I saw no fewer than four fights going on in different parts of that bar, while Dutch Joe, no longer genial, cursed every one impartially.
It was hot while it lasted—so hot that I had no chance to see what an artist Jim Maitland was till quite the end.
Source: Wikisource

Portrait of Herman Cyril McNeile Herman Cyril McNeile Raymond Blair—Drunkard (1923)

In an island where if a man sneezes the fact is known by the whole community in half an hour, the whereabouts of a leading member of society are not a matter of vague conjecture. But she didn't know it, poor child—with her English ideas. And I watched the smile fade from her face, to be replaced by a little pitiful questioning look which she turned on Jim Maitland.
Source: Wikisource

Portrait of Herman Cyril McNeile Herman Cyril McNeile Raymond Blair—Drunkard (1923)

But on balance you win. For if ever there was a place where soul and body rotted more rapidly and more completely, I have yet to find it. That beautiful island, a queen even among the glories of the South Seas, contained more vice to the square mile than did ever the slums of a great city. For in Tampico there was no work to be done, except by the very few who came for a space on business and departed in due course.
In Tampico, where fruit and enough food could be had for the asking, there was no struggle to survive. In fact, no one ever struggled in Tampico except for one thing—drink.
Source: Wikisource

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