Herman Cyril McNeile

Herman Cyril McNeile

Summary

Portrait of Herman Cyril McNeile Herman Cyril McNeile Molly's Aunt at Angmering (1924)

For he found her—did Jim. He found his girl—the girl he had last seen in the hotel at Tampico. The Fate that juggles the pieces gave the wheel another twist—a kindly twist—and the harbor for which old Jim in his heart of hearts had been steering through long years hove in sight. And now there was Molly—bless her—at the helm.
Great happiness is apt to make one a bit selfish, I think, and somehow or other Jim and his quest had slipped a little into the background of my mind.
Source: Wikisource

Portrait of Herman Cyril McNeile Herman Cyril McNeile Molly's Aunt at Angmering (1924)

I had one fleeting glimpse of her adjusting the ear trumpet and Jim's look of fixed horror
“Why didn't she?” said Molly. “Because, my dear, she loves him. And no woman wants the man she loves to see her for the first time when her eyes are wet.”
“Oh!” I grunted foolishly. “I see.”
“Just tears of joy, Dick. But they're quite as bad for the complexion as the ordinary brand. So when she was sure he wasn't coming back, she just picked up the boxes of matches slowly and kissed the flowers and put them in water, and then shut up the shop for the day.”
Source: Wikisource

Portrait of Herman Cyril McNeile Herman Cyril McNeile Molly's Aunt at Angmering (1924)

You see, there has never been another woman in Jim's life since he met her. And I think he'd given up all hope of ever seeing her again.”
And then I told her the whole story. I told her of Tampico, of its loneliness and its rottenness; I told her of the human derelicts who died their drink-sodden deaths in it. And I told her of Raymond Blair.
“In your life, Molly,” I said, “you've probably never come across such a case. You've seen men tight, maybe, and on that you've based your ideas of drunkenness. Blair was a crawling, pitiful thing; he wasn't a man at all.
Source: Wikisource

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