Summary

Portrait of Herman Melville Herman Melville Mardi — Volume I/Chapter XLII: Remorse (1849)

By this hand, the dead man had died. Remorse smote me hard; and like lightning I asked myself, whether the death-deed I had done was sprung of a virtuous motive, the rescuing a captive from thrall; or whether beneath that pretense, I had engaged in this fatal affray for some other, and selfish purpose; the companionship of a beautiful maid. But throttling the thought, I swore to be gay. Am I not rescuing the maiden? Let them go down who withstand me.
Source: Wikisource

Portrait of Herman Melville Herman Melville Mardi — Volume I/Chapter XLII: Remorse (1849)

The first snatched by Jarl had missed fire, and ere he could seize another, it was close quarters with him, and no gestures to spare. His harpoon was his all. And truly, there is nothing like steel in a fray. It comes and it goes with a will, and is never a-weary. Your sword is your life, and that of your foe; to keep or to take as it happens. Closer home does it go than a rammer; and fighting with steel is a play without ever an interlude. There are points more deadly than bullets; and stocks packed full of subtle tubes, whence comes an impulse more reliable than powder.
Source: Wikisource

Portrait of Herman Melville Herman Melville Mardi — Volume I/Chapter XLII: Remorse (1849)

Binding our prisoners lengthwise across the boat's seats, we rowed for the canoe, making signs of amity.
Now, if there be any thing fitted to make a high tide ebb in the veins, it is the sight of a vanquished foe, inferior to yourself in powers of destruction; but whom some necessity has forced you to subdue. All victories are not triumphs, nor all who conquer, heroes.
Source: Wikisource

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