Summary

Portrait of Hervey Allen Hervey Allen Du Bose Heyward: A Critical and Biographical Sketch

It is no exaggeration to say, and not a derogation for the purpose of argument to admit, that in the final analysis most of those who have essayed the task of depicting provincial conditions in the South, involving the essentially differing peculiarities of minor Southern localities where the plantation, industrialism, the negro, and the Mountain White are all factors—it is we repeat, no derogation to say that for the most part those who have attempted to handle these themes in a major literary way have fallen short of the mark.
Source: Gutenberg

Portrait of Hervey Allen Hervey Allen Du Bose Heyward: A Critical and Biographical Sketch

Perhaps the most significant thing about the book and its author was the fact that, for the first time, certainly in this generation, a novel had been written about the character of an American negro which was at once true to life and a work of art. Mr. Heyward did not regard his material from any standpoint except that of the literary artist. He did not pity, patronize, suggest, assume the white man's burden, or try to add to or lighten that of the colored man.
Source: Gutenberg

Portrait of Hervey Allen Hervey Allen Du Bose Heyward: A Critical and Biographical Sketch

Porgy, indeed is the first American novel about the American negro which depicts him faithfully, as he exists in a particular place, and yet presents him as a purely artistic but faithfully realistic study of a phase of human life. Mr. Heyward and his first novel were thus a nice example of a particular environment producing an artist peculiarly capable of exploiting the intriguing differences of his province in universal terms.
Source: Gutenberg

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