Summary

Portrait of Hilaire Belloc Hilaire Belloc The emerald of Catherine the Great (1926)

It is a fascinating occupation to watch a powerful human brain at work upon some great problems—the face alive with mind, the tension of the muscles, the frowning eyes; and to feel behind it all that driving, compelling power of the intelligence wherein man is God-like.
But no one would have seen this sight in the case of Mr. Collop had he remained. What he would have seen was a hand pouring out whiskey for itself over and over again and adding smaller and smaller splashes of soda; and at last an obese body attempting sleep in the lounge chair which it filled.
Source: Gutenberg

Portrait of Hilaire Belloc Hilaire Belloc The emerald of Catherine the Great (1926)

The Angel, seeing his human friend and ward, made him a suggestion at once:
"You ass!" he blew into McTaggart's ear. "Put it in the Rozzer's pocket." The Devil began to object violently.
"You shut up!" said the Angel, turning to him annoyed. "I'll come back and talk to you about it later!" Then he turned again to McTaggart, and pumped brilliant thoughts into his same ear with such violence that the young man's soul was all irradiated and full and he suddenly thought himself a genius. Such is the vanity of man! So little do we recognise inspiration from on high!
Source: Gutenberg

Portrait of Hilaire Belloc Hilaire Belloc The emerald of Catherine the Great (1926)

In a key nearly an octave lower than that he had been using for the purposes of the great interview, George Whaley stretched out a rigid solemn arm towards his master and spoke the words of doom.
"I know all... Thou art the man! It is you, sir, that have on you the lost emerald!"
Let me not do Humphrey de Bohun injustice. He had never yet in his life taken an initiative. He had never tackled any one of the human species. But there is a god latent in us all, and his name is Pan.
Source: Gutenberg

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