Summary

Anonymous,  The Quiver, 11/1899

“ Idealisation is one of the most beautiful effects of the fine art of reading. The most ordinary poem or piece of prose, when idealised by an accomplished artist in reading, grows lovely and sweet. And one way of learning to read well ourselves is to sit at the feet of some of these great masters of reading. Until we have heard a great reader read it is next to impossible to conceive what a fine and noble art true reading is. On the other hand, we can never become good readers by merely listening to others, any more than we can become good musicians by hearing others play. ”
Source: Gutenberg

Anonymous,  The Quiver, 11/1899

“ As sculpture aspires to express its ideals in stone, and painting in colour, and music in sound, so reading embodies its ideals in uttered words. A well-trained voice, clearness of enunciation, rhythm and flexibility of articulation—these are the physical framework of the art of reading aloud. Without first acquiring these the reader is as impotent as the painter without colour or the sculptor without stone. But the physics of reading are nothing more than its material framework. Unless the reader is inspired with ideals, reading will never rise to the dignity and glory of an art with him. ”
Source: Gutenberg

Anonymous,  The Quiver, 11/1899

“ Bethune's chair, was looking at Marjorie with a surprised appeal in his expression, as if he, too, was wondering at her sudden flush.
"Oh!" thought the Duchess, "I imagined it was Charity. Was I mistaken then? Not about the girl, if those rosy cheeks are to be trusted."
"Why isn't Mr. Warde here?" she asked of Marjorie, who, in obedience to her gesture, turned with her towards the house.
"He is at the cathedral. It is his week."
And the Duchess thought she guessed rightly the reason of the agitation she detected in Marjorie's voice.
"The Blackton man will be unsuccessful," she settled.
”
Source: Gutenberg

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