Summary

Ida May Hill Starr Gardens of the Caribbees, v. 2…

Where the Basket-Women Waited
Willemstad, Curaçao
Before we have time to readjust our impressions of one island to the anticipated pleasures of the one following, we are among a new people, speaking a strange tongue, living to us a new life,—to them a weather-worn old life; among people in densely populated cities, shut off from our world by weeks—at times by months—of silent isolation.
Then all at once a fleck of smoke lifts above the horizon, a steamer is sighted far out at sea, the pilot puts out in his little open boat, and the whole island throbs with new emotion, for a ship is coming!
Source: Gutenberg

Ida May Hill Starr Gardens of the Caribbees, v. 2…

We stand close together on the brink of a chasm and look tremulously into the depths of her great heart; down, down, a thousand feet and more of living, breathing green, into every hue of purple and blue, deepening into black near the far-off valley, and disappearing into azure among the clouds,—silence, shadow, tenderness, sublimity, overspread by the ineffable loveliness of morning.
We are moving again, and now it is down, gradually, for Caracas lies a thousand feet below the summit. We follow along a white highroad, the mountain trail from Caracas to the sea.
Source: Gutenberg

Ida May Hill Starr Gardens of the Caribbees, v. 2…

We turn from the goldsmith and the seller of corals, and the shops, and make for the tram,—a little, two-seated bandbox on wheels, drawn by a two-penny mule on a tiny track through the clean white streets of Curaçao. We are told that there is a law against the painting of the houses white, on account of the blinding glare of the sun, and no wonder, for, even after a few short hours of wandering, our eyes ache with the strain and glare of so great light. The blue houses are an exquisite rest to the eye.
Source: Gutenberg

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