Summary

Ida May Hill Starr Gardens of the Caribbees, v. 1…

The Puerto Rican, as well as the Mexican, the Cuban, the Dominican, is the natural musician; he feels to his finger-tips every vibration of sound he utters, and he makes you feel what he does. His music is akin to that of the wild sea-bird, it is brother to the moaning of the winds, to the wan song of the dusky maidens in the dance—to dream sounds in cocoanut and palm-tree groves; it is life, moving, quickening, pulsating life their music speaks, and without life, what is the stuff we call music?
Source: Gutenberg

Ida May Hill Starr Gardens of the Caribbees, v. 1…

Is it not enough to stroll idly on under the shadow of the mountainside, wild with tangled vines and interweaving foliage, black as night and deep as the sea? Would it cause you, in the rush of Western civilisation, a pang to lean with us over this high wall above the city, and watch yon bark lift her sails athwart the blood-red sun, merging his grandeur into the peace of the ocean? Let us call her the Fontabella; to be sure the Fontabella is probably a matter-of-fact, puffy, old mail-steamer and is not to arrive for days, but that’s no matter. Yonder ship is our Fontabella.
Source: Gutenberg

Ida May Hill Starr Gardens of the Caribbees, v. 1…

Agile, nimble, erect of body, motionless of head, with eyes that pierce into every crook and turn of the way, and poised like a queen, she is the dweller among the green, yellow, red, and purple of the forest, and in her love of colour she follows in her adornments the strong instincts of nature. She it is whose burden is so great that were she herself to attempt to lift it or take it from her head, it might mean a rupture, a dislocation, or a broken vein; she it is whom all men, from the richest to the poorest, help to unload, so great is the respect in which she is held.
Source: Gutenberg

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