Shade

“ But the shade that seemed not a shadow, went on and regarded me not. Then I also turned again towards the moaning of the sea and went on. And lo! the shade which had gone before until it seemed but as a vapour among the stars, was again by my side walking. And I said, and stood not, but walked on: Thou shade that art not a shadow, seeing there shineth no sun or moon, and the stars are many, and the one slayeth the shadow of the other, what art thou, and wherefore goest thou by my side? ”

“ The inexhaustible and unceasingly varying beauties of art begin to develope themselves most when the study of Light and Shade commences; and the student is amply recompensed for the time he has devoted to obtaining a knowledge of correctness in outline. It is now that he sees Nature with other and improved vision—with clearer conceptions of her character—in her sunny and joyous revellings, as in her vast and awful sublimity.
Drawing gives form; Colour, its visible quality; and Light and Shade, its solidity. ”

“ Forth from this maze of mingling tints, indefinite in shade and sunbeams, lean earnest, saintly faces—ineffably pure—adoring, pitying, pleading; raising their eyes in ecstasy to heaven, or turning them in ruth toward earth. ”

“ Who would destroy the shifting effects of light and shade, the sharp, lively opposition of colours in the same or in different objects, the streaks in a flower, the stains in a piece of marble, to reduce all to the same neutral, dead colouring, the same middle tint? ”

“ Follow those pure beams, whose beauty burneth,
That so have scorchèd thee
As thou still black must be
Till her kind beams thy black to brightness turneth.
Follow her, while yet her glory shineth!
There comes a luckless night
That will dim all her light;
—And this the black unhappy shade divineth.
Follow still, since so thy fates ordainèd!
The sun must have his shade,
Till both at once do fade,—
The sun still proved, the shadow still disdainèd. ”

“ We know one of the purest sources of beauty may be traced to the godliness of light and its ancillaries—shade and colour. Even slightly serated or rough parts on the face will intercept the effect of light and shade, thereby evincing how subtle and delicate is the influence. ”

“ And even as I wondered
At the following, haunting shadow,
(That was cast by nothing living, the shadow of a shade.)
I saw it was a woman's,
The shadow of a woman,
Of the woman who is dead,
And then I understood. ”

“ These sun-shadows are useful in showing us the principle of light and shade, and so also are the shadows cast by artificial light; but they are only the beginning of that beautiful study, that exquisite art of tone or chiaro-oscuro, which is infinite in its variety, is full of the deepest mystery, and is the true poetry of art. ”

“ MEN OF SHADE All the candles are passing out, one by one. They have evaporated their brightness, overpowered limpid cracks in their own flames, seized the outpouring air with hesitant breath to brave a flicker of new hearth while knocking holes against the warm men decorating fireside shade. ”

“ Now—and this is no secret for thee, worthiness—this shade, the Ka, is like a man, but looks as though made of most delicate mist. The shade has a head, hands, body, it can walk, speak, throw things or carry them, it dresses like a man, and even, especially during a few hundred of the earlier years after death, must take some food at intervals. But the shade obtains its main strength from the body which remains on the earth here. Therefore if we throw a body into a grave it spoils quickly and the shade must satisfy itself with dust and decay. ”

“ An added shade of coloring shows you an enthusiast, and loses you the confidence and sympathy of your cooler listener. A shade subtracted leaves so faint a hue that you have lost your interest in your own faded picture, and of course, cannot command that of another. ”

“ For all harmony depends, first, on the fixed proportion of the color of the light to that of the relative shadow; and therefore if I fasten my color, I must fasten my shade. But on a round surface the shadow changes at every hour of the day ”

“ The color value of nothing is absolute. A shadow may seem almost black till a figure passes into it, when it may become quite gray by comparison. So a window with the sun shining full upon it, or even one in shade, on which a reflected light is cast, may be brilliantly light until the next instant a cloud shadow is reflected in it, making it densely black. ”

“ He painted the ABSOLUTE VALUES of objects IN SHADE on a sunny day, which of course demands the brightest possibilities of the palette, and got the lighted objects themselves as nearly as he could,—thus destroying the relative values, but getting an extraordinary joyous and glowing effect; and one, too, of unexpected verisimilitude, for it would seem that in a sunlit scene we are really attentive to the shaded objects alone, and what becomes of the others does not so much matter. ”

“ Importance of light and shade in expressing the character of bodies and unimportance of color. convincing proof of the unimportance of color lies in the accurate observation of the way in which any material object impresses itself on the mind. If we look at nature carefully, we shall find that her colors are in a state of perpetual confusion and indistinctness, while her forms, as told by light and shade, are invariably clear, distinct, and speaking. ”

“ The light and shade are simple as the arrangement, directly falling from above and to the left; the light divides the direct half of tree, dress, clock, and flower, and the other half is in broad shadow, a light foreground and light distance and a clear sky; all the shade relief rests about the central objects of interest. ”

“ Again, the mere contrast of dark or dull tints enhances the color and luminosity of those that are bright, and the observer receives the impression that he is gazing at a mass of gay and beautiful coloring, scarcely noticing the presence of the much larger quantity of tints that are darkened by being in deep shade. ”

“ Since then shade and color have manifested themselves in an ever-increasing list of characters and words, until they are now perceived in most of the letters and in all parts of speech in all the languages with which I have any acquaintance.
"All suggest to the mind an appearance of shade: some being very light; others dark, and others medium. Color is less often distinguished, but when seen it is even clearer than is the degree of shade. ”

“ Shade, unperceiv'd, so softening into shade;⁠25
And all so forming an harmonious whole; ”

“ When most I wink, then do mine eyes best see,
For all the day they view things unrespected;
But when I sleep, in dreams they look on thee,
And darkly bright, are bright in dark directed.
Then thou, whose shadow shadows doth make bright,
How would thy shadow's form form happy show
To the clear day with thy much clearer light,
When to unseeing eyes thy shade shines so!
How would, I say, mine eyes be blessed made
By looking on thee in the living day,
When in dead night thy fair imperfect shade
Through heavy sleep on sightless eyes doth stay!
All days are nights to see till I see thee, ”

“ There are two extremes of light and shade, and between these lie all those half tints and reflected lights, and exquisite gradations of shade, which must be so carefully placed in the drawing as to clearly indicate the graceful curve of each individual petal, without in any way destroying the roundness and breadth of a flower. The gradations of shade are sometimes perplexing to the learner; but in this respect the eye is a very safe guide. ”

“ But to give it grace, roundness, and effect, those dark shades are always attended by reflexes, or else they would either cut too hard upon the ground, or stick to it, by the similarity of shade, and relieve the less as the ground is darker ”

“ I believe I shall be perfectly well able to prove, in following parts of the work, that "mere natural light and shade" is the only fit and faithful attendant of the highest art; and that all tricks—all visible, intended arrangement—all extended shadows and narrow lights—everything in fact, in the least degree artificial, or tending to make the mind dwell upon light and shade as such, is an injury, instead of an aid, to conceptions of high ideal dignity. ”

“ When you have got the whole well into shape, proceed to lay on the stains and spots with great care, quite as much as you gave to the forms. Very often, spots or bars of local colour do more to express form than even the light and shade, and they are always interesting as the means by which Nature carries light into her shadows, and shade into her lights, an art of which we shall have more to say hereafter, in speaking of composition. ”

“ It throws a single ray, separated from the rest,—red, yellow, blue, or any intermediate shade,—upon an object; never white light; that is the province of wisdom. We get beautiful effects from wit,—all the prismatic colors,—but never the object as it is in fair daylight. ”

“ But every light is a shadow compared to higher lights, till we reach the brightness of the sun; and every shadow is a light compared to lower shadows, till we reach the darkness of night.
Every colour used in painting, except pure white and black, is therefore a light and shade at the same time. ”

“ Light is the chaser away of darkness. Shade is the obstruction of light. Primary light is that which falls on objects and causes light and shade. And derived lights are those portions of a body which are illuminated by the primary light. A primary shadow is that side of a body on which the light cannot fall. ”

“ Suppose a picture, composed of one part shade and the other light—the light being warm, and the shadow composed of cold colours—a red or warm-coloured figure laid against the shadowed side, and a blue one brought out from the light, would, in addition to possessing the greatest force of colour, have a spirited and imposing effect. ”

“ Colours placed in shadow will preserve more or less of their original beauty, as they are more or less immersed in the shade. But colours situated in a light space will shew their natural beauty in proportion to the brightness of that light. ”

“ To return a moment to the problem of color: illusion is frequently lost through a failure to adjust the shade of the high-light and shadow to the tone of the foundation grease paint, or natural complexion. The commonest offence is the use of an unmixed, unblended slate for shadows, and white, and high-lights, whether the underlying color be florid, sallow, pink, or pale flesh. ”

“ The thought of one shade of blue does not remind us of that of another shade of blue, etc., unless indeed we have in mind some general purpose like naming the tint, when we should naturally think of other blues of the scale, through 'mixed association' of purpose, names, and tints, together. ”

“ THE KIND OF LIGHT REQUISITE FOR PAINTING LIGHT AND SHADE. An object will display the greatest difference of light and shade when it is seen in the strongest light, as by sunlight, or, at night, by the light of a fire. ”

“ Therefore when we speak of 'drawing light and shade' we mean drawing broad masses of light and shade, giving the right balance—neither too much nor too little value to each light, each shadow, each east shadow. Drawing objects in light and shade with a pencil point is a tedious business. ”

“ So true are his shadows,—equally free from coldness, opacity, or false glare;—so clear, so broken, so airy, and yet so deep, that if you hold your hand so as to cast a shadow on any part of the flesh which is in the light, this part, so shaded, will present exactly the same appearance which the painter has given to the shadowed part of the picture. ”

“ The moon pull'd off her veil of light,905
That hides her face by day from sight.
Mysterious veil, of brightness made,
That's both her lustre and her shade, [160]
And in the lanthorn of the night,
With shining horns, hung out her light: [161] 910
For darkness is the proper sphere [162]
Where all false glories use t' appear. ”

“ Colouring is a distinct and subsequent branch, and is only to be learnt by long and minute observation of the diversified tints and hues of Nature. The principle of Light and Shade, on the contrary, is established by theory. ”

“ Although the figures we have been drawing show the principles on which sun-shadows are shaped, still there are so many more laws to be considered in the great art of light and shade that it is better to observe them in Nature herself or under the teaching of the real sun. ”

“ When I come to treat of colouring, I shall particularly shew in what manner the gradating of prime tints serve to the making a beautiful complexion; in this place we shall only observe how nature hath by these gradating shades ornamented the surfaces of animals; fish generally have this kind of shade from their backs downward; birds have their feathers enriched with it; and many flowers, particularly the rose, shew it by the gradually-increasing colours of their leaves. ”

“ The skin becomes sickly and corrupt, and of a dead leaden white hue, which strangely enough is supposed to be more beautiful than the rich rose-brown, delicately shaded into lighter tints in the less exposed parts, which it would wear if tanned by daily welcome of sun and wind. ”

“ All which again receives still more distinctness, as well as a greater degree of variety, when the sun shines bright, and casts broad shadows of one object upon another; which gives the skilful designer such hints for shewing broad and fine oppositions of shades, as give life and spirit to his performances.
Breadth of shade is a principle that assists in making distinction more conspicuous; thus fig. [87 p. I] , is better distinguish'd by its breadth or quantity of shade, and view'd with more ease and pleasure at any distance, than fig. ”