William Hogarth

Biographical details

Portrait of William Hogarth William Hogarth,  The Analysis of Beauty

“ The face indeed will bear a constant view, yet always entertain and keep our curiosity awake, without the assistance either of a mask, or veil; because vast variety of changing circumstances keeps the eye and the mind in constant play, in following the numberless turns of expression it is capable of. How soon does a face that wants expression grow insipid, tho' it be ever so pretty?—The rest of the body, not having these advantages in common with the face, would soon satiate the eye, were it to be as constantly exposed, nor would it have more effect than a marble statue. ”
Source: Gutenberg

Portrait of William Hogarth William Hogarth,  The Analysis of Beauty

“ For as among the vast variety of waving-lines that may be conceiv'd, there is but one that truly deserves the name of the line of beauty, so there is only one precise serpentine-line that I call the line of grace. Yet, even when they are made too bulging, or too tapering, though they certainly lose of their beauty and grace, they do not become so wholly void of it, as not to be of excellent service in compositions, where beauty and grace are not particularly design'd to be express'd in their greatest perfection. ”
Source: Gutenberg

Portrait of William Hogarth William Hogarth,  The Analysis of Beauty

“ Pierrott's movements and attitudes, are chiefly in perpendiculars and parallels, so is his figure and dress.
Punchinello is droll by being the reverse of all elegance, both as to movement, and figure, the beauty of variety is totally, and comically excluded from this character in every respect; his limbs are raised and let fall almost altogether at one time, in parallel directions, as if his seeming fewer joints than ordinary, were no better than the hinges of a door.
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Source: Gutenberg

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