Paul Cameron Brown

Summary

Paul Cameron Brown Mascara-Viscera

WHITE CHINA PLATES I The moon hummed like a refrigerator, light thru shadows --the solitude of dusk closing in; black scars visible across the moon's face shaped like mountainous hands, all silent, the occasional leaf rustling. 2 My fork at plate's edge listening, listening to the haunting one eye on the staircase wall white as the numb light outside palest night. Caught off-guard, the musty settee and armchair acting as hallucinogen to the nostril, the calendar of events playing ghostly tag with sheer curtains hovering, shroud-like, on the family Bible big and brown as the Lord's foot stool.
Source: Gutenberg

Paul Cameron Brown Mascara-Viscera

THE GARDEN And like a cobbler at a bench I return to my musings why Kensington Gardens with its grand, theatrical entrance is gateway to London's poor --why the stiff Victoria and Albert monument or grand canopy to the Hemispheres has a bison for the Americas or sultry elephant of Asia fame (India being the brightest jewel in the Empress' crown) ; why other archetypal animals at their pleasure are carved in gleaming milk white when the rich at their leisure, to and fro, dine elegantly as tight buds arranged on a stem.
Source: Gutenberg

Paul Cameron Brown Mascara-Viscera

Graven images. Lifeless stone. Death became stone. Stone empty. The maggot emptiness burrowing into chiselled easel and the stone-cutter's savage magic. Just a bitty stone to herald a passing. Night-jars. Old straw-chairs with a broom pronouncing the wall base with its touch empty, the empress of bandages leaning to rags on table scraps, sorry gloom of an old building by a pickled lake leaking into ebb twilight.
Source: Gutenberg

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