Summary

Portrait of Israel Zangwill Israel Zangwill The Grey Wig (collection) — The Woman Beater (1903)

Winifred Glamorys was not literary herself. She was better than a poetess, she was a poem. The publisher always threw in a few realities, and some beautiful brainless creature would generally be found the nucleus of a crowd, while Clio in spectacles languished in a corner. Winifred Glamorys, however, was reputed to have a tongue that matched her eye; paralleling with whimsies and epigrams its freakish fires and witcheries, and, assuredly, flitting in her white gown through the dark balmy garden, she seemed the very spirit of moonlight, the subtle incarnation of night and roses.
Source: Wikisource

Portrait of Israel Zangwill Israel Zangwill The Grey Wig (collection) — The Woman Beater (1903)

He thought of all the weary months of waiting, all the long comedy of telegrams and express letters, the far-off flirtations of the cosy corner, the baffled elopement to Paris. "Then you won't marry me?"
"I cannot marry a man I neither love nor respect."
"You don't love me!" Her spontaneous kiss in his sober Oxford study seemed to burn on his angry lips.
"No, I never loved you."
He took her by the arms and turned her round roughly. "Look me in the face and dare to say you have never loved me."
Source: Wikisource

Portrait of Israel Zangwill Israel Zangwill The Grey Wig (collection) — The Woman Beater (1903)

A week later this horsey husband of hers brought her on to Brighton for the races there, and hither John Lefolle flew. But her husband shadowed her, and he could only lift his hat to her as they passed each other on the Lawns. Sometimes he saw her sitting pensively on a chair while her lord and thrasher perused a pink sporting-paper. Such tantalising proximity raised their correspondence through the Hove Post Office to fever heat. Life apart, they felt, was impossible, and, removed from the sobering influences of his cap and gown, John Lefolle dreamed of throwing everything to the winds.
Source: Wikisource

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