Ivan Turgenev

“ I am sure that no one who meets her could fail to think: that's some one I should like to—dance a polka with; I'm sure, too, that she knows that, and is pleased. . . . Else, what's the meaning of those modest simpers, that discreet air? There, you know what I mean,' he muttered between his teeth. 'But now you're absorbed in something else.'
And breaking up the bust of Zoya, Shubin set hastily to modelling and kneading the clay again with an air of vexation.
'So it is your wish to be a professor?' said Elena to Bersenyev. ”

“ Let us rather talk of nightingales and roses, youthful eyes and smiles.'
'Yes; and of French novels, and of feminine frills and fal-lals,' Elena went on.
'Fal-lals, too, of course,' rejoined Shubin, 'if they're pretty.'
'Of course. But suppose we don't want to talk of frills? You are always boasting of being a free artist; why do you encroach on the freedom of others? And allow me to inquire, if that's your bent of mind, why do you attack Zoya? ”

“ And with a blow on the clay moulded into the shape of a head, he ran out of the arbour and went off to his room.
'What a baby,' said Elena, looking after him.
'He's an artist,' observed Bersenyev with a quiet smile. 'All artists are like that. One must forgive them their caprices. ”