Bersenyev

“ Shubin did not leave his room before night. It was already quite dark; the moon—not yet at the full—stood high in the sky, the milky way shone white, and the stars spotted the heavens, when Bersenyev, after taking leave of Anna Vassilyevna, Elena, and Zoya, went up to his friend’s door. He found it locked. He knocked.
‘Who is there?’ sounded Shubin’s voice.
‘I,’ answered Bersenyev.
‘What do you want?’
‘Let me in, Pavel; don’t be sulky; aren’t you ashamed of yourself?’
‘I am not sulky; I’m asleep and dreaming about Zoya.’
‘Do stop that, please; you’re not a baby. Let me in. ”

“ You!’ cried Shubin, slapping Bersenyev on the shoulder.
‘Me!’
‘You,’ repeated Shubin.
Bersenyev stepped back a pace, and stood motionless. Shubin looked intently at him.
‘And does that astonish you? You are a modest youth. But she loves you. You can make your mind easy on that score.’
‘What nonsense you talk!’ Bersenyev protested at last with an air of vexation.
‘No, it’s not nonsense. But why are we standing still? Let us go on. It’s easier to talk as we walk. I have known her a long while, and I know her well. I cannot be mistaken. You are a man after her own heart. ”

“ A cross gust of wind blew suddenly on him; he almost shuddered, and his heart stood still; a drowsy beetle fell off a twig and dropped with a thud on the path; Bersenyev uttered a subdued ‘Ah!’ and again stopped. ”

“ They are all looking at you, at you alone; the stars never do anything but look down upon lovers—that's why they are so charming. You are in love, I suppose, Andrei Petrovitch? . . . You don't answer me . . . why don't you answer?' Shubin began again: 'Oh, if you feel happy, be quiet, be quiet! I chatter because I am a poor devil, unloved, I am a jester, an artist, a buffoon; but what unutterable ecstasy would I quaff in the night wind under the stars, if I knew that I were loved! . . . Bersenyev, are you happy?'
Bersenyev was silent as before, and walked quickly along the smooth path. ”

“ Bersenyev talked with Elena about university life, and his own plans and hopes; Shubin listened without speaking, ate with an exaggerated show of greediness, and now and then threw comic glances of despair at Zoya, who responded always with the same phlegmatic smile. After dinner, Elena with Bersenyev and Shubin went into the garden; Zoya looked after them, and, with a slight shrug of her shoulders, sat down to the piano. ”

“ In Elena he detected signs of repressed annoyance against him—Shubin—and that was all. He looked at Bersenyev and at Insarov, and compared their faces from a sculptor’s point of view. ‘They are neither of them good-looking,’ he thought, ‘the Bulgarian has a characteristic face—there now it’s in a good light; the Great-Russian is better adapted for painting; there are no lines, there’s expression. But, I dare say, one might fall in love with either of them. She is not in love yet, but she will fall in love with Bersenyev,’ he decided to himself. ”

“ Bersenyev was again reminded of Shubin's words.
'No, Elena Nikolaevna, to tell you the truth, there was not a single remarkable man among us. And, indeed, where are such to be found! There was, they say, a good time once in the Moscow university! But not now. Now it's a school, not a university. I was not happy with my comrades,' he added, dropping his voice.
'Not happy,' murmured Elena.
'But I ought,' continued Bersenyev, 'to make an exception. I know one student—it's true he is not in the same faculty—he is certainly a remarkable man.'
'What is his name?' Elena inquired with interest. ”

“ She talked a great deal about him to Bersenyev. Bersenyev realised that Elena’s imagination had been struck by Insarov, and was glad that his friend had not ‘missed fire’ as Shubin had asserted. He told her cordially all he knew of him down to the minutest details (we often, when we want to please some one, bring our friends into our conversation, hardly ever suspecting that we are praising ourselves in that way) , and only at times, when Elena’s pale cheeks flushed a little and her eyes grew bright and wide, he felt a pang in his heart of that evil pain which he had felt before. ”

“ Good-bye,’ he added suddenly, ‘I feel I shall say something silly.’
And with a blow on the clay moulded into the shape of a head, he ran out of the arbour and went off to his room.
‘What a baby,’ said Elena, looking after him.
‘He’s an artist,’ observed Bersenyev with a quiet smile. ‘All artists are like that. One must forgive them their caprices. ”

“ The good old Gottingen student did not lie on a bed of roses; he was for ever weighed down by the march of history, by questions and ideas of every kind. When young Bersenyev entered the university, his father used to drive with him to the lectures, but his health was already beginning to break up. ”

“ Some one sneezed, and was scolded in a whisper; behind the screen was heard the patient's heavy, uneven breathing, sometimes broken by a short groan, and the uneasy tossing of his head on the pillow. . . . Strange fancies came over Bersenyev. He found himself in the room of a man whose life was hanging on a thread, the man whom, as he knew, Elena loved. . . . He remembered that night when Shubin had overtaken him and declared that she loved him, him, Bersenyev! And now. . . . 'What am I to do now?' he asked himself. 'Let Elena know of his illness? Wait a little? ”

“ Bersenyev picked up the cloth off the floor—and threw it over the statuette.
'Ah, you, magnanimous'—began Shubin. 'Who the devil was it in history was so particularly magnanimous? Well, never mind! And now,' he continued, with melancholy triumph, uncovering a third rather large mass of clay, 'you shall behold something which will show you the humility and discernment of your friend. You will realise that he, like a true artist again, feels the need and the use of self-castigation. ”

“ The tailor met the 'kind gentlemen' with a bow; he, presumably, to drown his grief, but possibly to celebrate his delight at getting the furniture, had been drinking heavily; his wife soon led him away. In the room everything was by this time ready; a trunk, tied up with cord, stood on the floor. Bersenyev sank into thought: many memories came rushing upon him. ”

“ He returned three hours later; and in response to Bersenyev's invitation to share his repast, he said that he would not refuse to dine with him that day, but that he had already spoken to the woman of the house, and would get her to send him up his meals for the future.
'Upon my word!' said Bersenyev, 'you will fare very badly; that old body can't cook a bit. Why don't you dine with me, we would go halves over the cost.'
'My means don't allow me to dine as you do,' Insarov replied with a tranquil smile. ”

“ She felt filled with boundless goodwill and kindness, and wanted to keep not only Insarov, but Bersenyev too, always at her side.... Andrei Petrovitch dimly understood what this meant, and secretly he sighed.
The hours flew by; the evening was coming on. Anna Vassilyevna suddenly took alarm. ‘Ah, my dear friends, how late it is!’ she cried. ‘All good things must have an end; it’s time to go home.’ She began bustling about, and they all hastened to get up and walk towards the castle, where the carriages were. As they walked past the lakes, they stopped to admire Tsaritsino for the last time. ”

“ For eight whole days Insarov lay between life and death. The doctor was incessantly visiting him, interested as a young man in a difficult case. Shubin heard of Insarov's critical position, and made inquiries after him. His compatriots—Bulgarians—came; among them Bersenyev recognised the two strange figures, who had puzzled him by their unexpected visit to the cottage; they all showed genuine sympathy, some offered to take Bersenyev's place by the patient's bed-side; but he would not consent to that, remembering his promise to Elena. ”

“ I was sent for too late; still we will do all that science dictates.'
The doctor was young himself, and still believed in science.
Bersenyev stayed the night. The people of the house seemed kind, and even prompt directly there was some one to tell them what was to be done. An assistant arrived, and began to carry out the medical measures.
Towards morning Insarov revived for a few minutes, recognised Bersenyev, asked: 'Am I ill, then?' looked about him with the vague, listless bewilderment of a man dangerously ill, and again relapsed into unconsciousness. ”

“ You go to Elena now, and I will make my way to—Annushka, you fancy? No, my dear fellow, worse than that; to Prince Tchikurasov. He is a Maecenas of a Kazan-Tartar stock, after the style of Volgin. Do you see this note of invitation, these letters, R.S.V.P.? Even in the country there's no peace for me. Addio!' Bersenyev listened to Shubin's tirade in silence, looking as though he were just a little ashamed of him. Then he went into the courtyard of the Stahovs' house. And Shubin did really go to Prince Tchikurasov, to whom with the most cordial air he began saying the most insulting things. ”

“ Insarov said nothing. Bersenyev began to feel awkward.
'You might at least pay me a visit sometime,' he began, after a short pause. 'A few steps from me there's a family living with whom I want very much to make you acquainted. If only you knew, Insarov, what a marvellous girl there is there! There is an intimate friend of mine staying there too, a man of great talent; I am sure you would get on with him. [The Russian loves to be hospitable—of his friends if he can offer nothing else.] Really, you must come. ”

“ During the first fortnight of Insarov’s stay in the Kuntsovo neighbourhood, he did not visit the Stahovs more than four or five times; Bersenyev went to see them every day. Elena was always pleased to see him, lively and interesting talk always sprang up between them, and yet he often went home with a gloomy face. Shubin scarcely showed himself; he was working with feverish energy at his art ”

“ For them he’s a hero; but, to make a confession, I have a very different idea of a hero; a hero ought not to be able to talk; a hero should roar like a bull, but when he butts with his horns, the walls shake. He ought not to know himself why he butts at things, but just to butt at them. But, perhaps, in our days heroes of a different stamp are needed.’
‘Why are you so taken up with Insarov?’ asked Bersenyev. ‘Can you have run here only to describe his character to me?’
‘I came here,’ began Shubin, ‘because I was very miserable at home.’
‘Oh, that’s it! ”

“ Shubin lifted up his head. The tears shone bright on his cheeks in the moonlight, but there was a smile on his face.
'Andrei Petrovitch,' he said, 'you may think what you please about me. I am even ready to agree with you that I'm hysterical now, but, by God, I'm in love with Elena, and Elena loves you. I promised, though, to see you home, and I will keep my promise.'
He got up.
'What a night! silvery, dark, youthful! How sweet it must be to-night for men who are loved! How sweet for them not to sleep! Will you sleep, Andrei Petrovitch?'
Bersenyev made no answer, and quickened his pace. ”

“ The events of the year 1848 shook him to the foundation (it necessitated the re-writing of his whole book) , and he died in the winter of 1853, before his son's time at the university was over, but he was able beforehand to congratulate him on his degree, and to consecrate him to the service of science. 'I pass on the torch to you,' he said to him two hours before his death. 'I held it while I could; you, too, must not let the light grow dim before the end.'
Bersenyev talked a long while to Elena of his father. ”

“ XX
‘Come to my room for a minute,’ Shubin said to Bersenyev, directly the latter had taken leave of Anna Vassilyevna: ‘I have something to show you.’
Bersenyev followed him to his attic. He was surprised to see a number of studies, statuettes, and busts, covered with damp cloths, set about in all the corners of the room.
‘Well I see you have been at work in earnest,’ he observed to Shubin.
‘One must do something,’ he answered. ‘If one thing doesn’t do, one must try another. However, like a true Corsican, I am more concerned with revenge than with pure art. ”

“ Anna Vassilyevna most kindly gave me the money for an expedition to Italy, and I went off to the Little Russians to eat dumplings and——’
‘Don’t let me have the rest, please,’ interposed Bersenyev.
‘Yet still, I will say, the money was not spent in vain. I saw there such types, especially of women.... Of course, I know; there is no salvation to be found outside of Italy!’
‘You will go to Italy,’ said Bersenyev, without turning towards him, ‘and will do nothing. You will always be pluming your wings and never take flight. ”

“ The owner of eighty-two serfs, whom he set free before his death, an old Gottingen student, and disciple of the ‘Illuminati,’ the author of a manuscript work on ‘transformations or typifications of the spirit in the world’—a work in which Schelling’s philosophy, Swedenborgianism and republicanism were mingled in the most original fashion—Bersenyev’s father brought him, while still a boy, to Moscow immediately after his mother’s death, and at once himself undertook his education. ”

“ The insight of a Shubin and the moral worth of a Bersenyev are not so valuable to the Elenas of this world, whose ardent desire to be made good use of, and to seek some great end, is best developed by strength of aim in the men they love.
And now to see what the novel before us meant to the contemporary Russian mind, we must turn to the infinitely suggestive background. Turgenev’s genius was of the same force in politics as in art ”