Jean Toomer

Name: Cane — Bona and Paul
Author: Jean Toomer

Cane — Bona and Paul (1923)

Summary

“Cane — Bona and Paul”, published in 1923, is a work by Jean Toomer. It explores elements such as Bona, Paul and dusk.

Quotes from Cane — Bona and Paul (Jean Toomer)

Jean Toomer, Cane — Bona and Paul (1923)

“ It is a healthy pink the blue of evening tints a purple pallor. Art is happy and confident in the good looks that his mirror gave him. Bubbling over with a joy he must spend now if the night is to contain it all. His bubbles, too, are curiously tinted purple as Paul watches them. Paul, contrary to what he had thought he would be like, is cool like the dusk, and like the dusk, detached. His dark face is a floating shade in evening’s shadow. He sees Art, curiously. Art is a purple fluid, carbon-charged, that effervesces besides him. He loves Art. ”

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Source: Wikisource

Jean Toomer, Cane — Bona and Paul (1923)

“ They know that the pink-faced people have no part in what they feel. Their instinct leads them away from Art and Helen, and towards the big uniformed black man who opens and closes the gilded exit door. The cloak-room girl is tolerant of their impatience over such trivial things as wraps. And slightly superior. As the black man swings the door for them, his eyes are knowing. Too many couples have passed out, flushed and fidgety, for him not to know. The chill air is a shock to Paul. ”

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Source: Wikisource

Jean Toomer, Cane — Bona and Paul (1923)

“ Philosopher?”
“Mostly a priori.”
“You talk well for a gym director.”
“And you—”
“I hate you. Ou!”
She presses away. Paul, conscious of the convention in it, pulls her to him. Her body close. Her head still strains away. He nearly crushes her. She tries to pinch him. Then sees people staring, and lets her arms fall. Their eyes meet. Both, contemptuous. The dance takes blood from their minds and packs it, tingling, in the torsos of their swaying bodies. Passionate blood leaps back into their eyes. They are a dizzy blood clot on a gyrating floor. ”

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Source: Wikisource

Jean Toomer, Cane — Bona and Paul (1923)

“ Bona: He is a harvest moon. He is an autumn leaf. He is a nigger. Bona! But dont all the dorm girls say so? And dont you, when you are sane, say so? Thats why I love—Oh, nonsense. You have never loved a man who didnt first love you. Besides—
Columns thud away from her. Come to a halt in line formation. Rigid. The period bell rings, and the teacher dismisses them.
A group collects around Paul. They are choosing sides for basket-ball. Girls against boys. Paul has his. He is limbering up beneath the basket. Bona runs to the girl captain and asks to be chosen. The girls fuss. ”

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Source: Wikisource

Jean Toomer, Cane — Bona and Paul (1923)

“ He catches her. Her body stiffens. Then becomes strangely vibrant, and bursts to a swift life within her anger. He is about to give way before her hatred when a new passion flares at him and makes his stomach fall. ”

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Source: Wikisource

Jean Toomer, Cane — Bona and Paul (1923)

“ The bare-back rider balances agilely on the applause which is the tail of her song. Orchestral instruments warm up for jazz. The flute is a cat that ripples its fur against the deep-purring saxophone. ”

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Source: Wikisource

Jean Toomer, Cane — Bona and Paul (1923)

“ And she’s game. Best proof: she dont give a damn what the dorm girls say about you and her in the gym, or about the funny looks that Boynton gives her, or about what they say about, well, hell, you know, Paul. And say, Paul, she’s a sweetheart. Tall, not puffy and pretty, more serious and deep—the kind you like these days. And they say she’s got a car. And say, she’s on fire. But you know all about that. She got Helen to fix it up with me. The four of us—remember the last party? Crimson Gardens! Boy!”
Paul’s eyes take on a light that Art can settle in. ”

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Source: Wikisource

Jean Toomer, Cane — Bona and Paul (1923)

“ She tries to get Art to break with him, saying, that if Paul, whom the whole dormitory calls a nigger, is more to him than she is, well, she’s through. She does not break with Art. She goes out as often as she can with Art and Paul. She explains this to herself by a piece of information which a friend of hers had given her: men like him (Paul) can fascinate. One is not responsible for fascination. Not one girl had really loved Paul; he fascinated them. Bona didnt ”

Jean Toomer

Summary

Quotes from Cane — Bona and Paul (Jean Toomer)

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