Jennette Lee

Jennette Lee

Summary

Portrait of Jennette Lee Jennette Lee,  A Little Dunker (1906)

“ Far across the level stretch a meadow-lark called low—like spring—and sweet. She lifted her head to listen. Then she followed the sound, the red cow going before her. She would never quite reach the lark, she knew, for always as she came he lifted wing, but she followed, trusting. She loved the high, sweet note coming across the grass; and when it sounded like this, an echo of spring in it, it floated to the clouds and rested there. All the songs of all the larks were there, and when the Dunker raised her face she heard them calling clear—on the south wind they came—calling "Ma-ree—Ma-ree!" ”
Source: Wikisource

Portrait of Jennette Lee Jennette Lee,  A Little Dunker (1906)

“ It may have been the red cow's discretion that had won her the right to wander over the great meadow, or it may have been the Dunker's quiet eyes, or perhaps it was a kind of sixth sense in both, that told them when to crop and when to pass on. No one forbade them and no one warned them off. A mouthful of grass here and there, a handful of daisies for the child, would not be missed, even by a poor man; and many acres still remained in the hands of the rich, who held them for tradition's sake. ”
Source: Wikisource

Portrait of Jennette Lee Jennette Lee,  A Little Dunker (1906)

“ The tail flicked a late fly and fell to idle swaying as the red cow bent her head to crop. To the casual eye she was merely a common, or red, cow with wide-spreading horns and clear, brown eyes. But to the Dunker she was a personage. She had shared the vicissitudes of the family, but they had never caused her to turn a hair or look other than gravely bored. Each spring when the river, rising in its might, swept across the meadow and, creeping around an unprotected corner of the dike, flooded the streets of "Little Venice," the red cow was in danger of her life. ”
Source: Wikisource

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