Jennette Lee

Jennette Lee

Summary

Portrait of Jennette Lee Jennette Lee Miss Cynthia's Rosebush (1916)

His voice was gentle and very happy, and Hudson Bowley knew that life had not passed him by. He would be as other men—as Jim and Mary! And he saw them with the worn light of happiness in their faces—and Lydia's small round head and red cheeks and the two straight braids of hair—and he saw all children in their love and helplessness. He was holding Cynthia close.
Source: Wikisource

Portrait of Jennette Lee Jennette Lee Miss Cynthia's Rosebush (1916)

In the little room off her kitchen Cynthia Adams stood back from the table and surveyed it—to see that everything was in place.
The table, with its dark, polished surface and straight legs, stood facing a window that was covered with a curtain of transparent scrim fulled a little at top and bottom and held in place by small brass rods. The light, falling through this curtain on the polished table and delicate china and silver, seemed etherealized—like pictured sunlight. The great copper bowl of flowers that stood against the gathered scrim completed the effect of an Old World picture.
Source: Wikisource

Portrait of Jennette Lee Jennette Lee Miss Cynthia's Rosebush (1916)

Hudson Bowley had seen them change from the floppy, flowered fashions of twelve years back, to the scant draperies and severe skirts of later times, and then at last to an austerity that seemed to have little relation to the prevailing style—as little as the tenuous draperies of the marble lady there on her pedestal. Cynthia's clothes seemed merely to belong to Cynthia—though they were still very becoming.
He sat looking up at the statue and smoking reflectively. Cynthia had hardly grown—any more than the statue up there.
Source: Wikisource

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