John Addington Symonds

John Addington Symonds

Summary

Portrait of John Addington Symonds John Addington Symonds 1911 Encyclopædia Britannica, Volume 15… (1911)

They abound in vivid sketches, telling anecdotes, fugitive comments, which unite a certain charm of autobiographical romance with the worldly wisdom of an experienced courtier. A flavour of personality makes them not unpleasant reading. While we learn to despise and mistrust the man in Giovio, we appreciate the author. It would not be too far-fetched to describe him as a sort of 16th-century Horace Walpole.
Bibliography.—The sources of Giovio’s biography are: his own works; Tiraboschi’s History of Italian Literature; Litta’s Genealogy of Illustrious Italian Families
Source: Wikisource

Portrait of John Addington Symonds John Addington Symonds 1911 Encyclopædia Britannica, Volume 15… (1911)

Thus encouraged, Giovio took up his residence in Rome, and attached himself to Cardinal Giulio de’ Medici, the pope’s nephew. The next pope, Adrian VI., gave him a canonry in Como, on the condition, it is said, that Giovio should mention him with honour in his history. This patronage from a pontiff who was averse from the current tone of Italian humanism proves that Giovio at this period passed for a man of sound learning and sober manners.
Source: Wikisource

Portrait of John Addington Symonds John Addington Symonds 1911 Encyclopædia Britannica, Volume 15… (1911)

He professed himself a flatterer and a lampooner, writing fulsome eulogies on the princes who paid him well, while he ignored or criticized those who proved less generous. The old story that he said he kept a golden and an iron pen, to use according as people paid him, condenses the truth in epigram. His private morals were of a dubious character, and as a writer he had the faults of the elder humanists, in combination with that literary cynicism which reached its height in Aretino
Source: Wikisource

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