Horace Walpole

Definition and stakes

Portrait of Isaac Disraeli Isaac Disraeli Calamities and Quarrels of Authors

Thus humbled was Horace Walpole to himself!—there is an intellectual dignity, which this man of wit and sense was incapable of reaching—and it seems a retribution that the scorner of true greatness should at length feel the poisoned chalice return to his own lips. He who had contemned the eminent men of former times, and quarrelled with and ridiculed every contemporary genius; who had affected to laugh at the literary fame he could not obtain,—at length came to scorn himself! and endured “the penal fires” of an author’s hell, in undervaluing his own works, the productions of a long life!
Source: Gutenberg

Portrait of Isaac Disraeli Isaac Disraeli Calamities and Quarrels of Authors

Singularity of opinion, vivacity of ridicule, and polished epigrams in prose, were the means by which Horace Walpole sought distinction.
In his works of imagination, he felt he could not trust to himself—the natural pathetic was utterly denied him. But he had fancy and ingenuity; he had recourse to the marvellous in imagination on the principle he had adopted the paradoxical in history. Thus, “The Castle of Otranto,” and “The Mysterious Mother,” are the productions of ingenuity rather than genius; and display the miracles of art, rather than the spontaneous creations of nature.
Source: Gutenberg

Dr. Doran "Their Majesties' Servants." Annals of the English Stage…

Of an evening, in summer-time, trim Horace and portly Clive might be seen walking in the meadows together; or Walpole and a brilliant company, gossiping, laughing, flirting, philandering, might be noted on their way across the grass to Strawberry, after a gay time of it at "Little Strawberry Hill." Not always without mishap, as Walpole himself has recorded in his narrative of his perilous passing of the stile with Miss Rich; and not invariably in the very sunniest of humours, for Miss Pope had seen Horace "gloomy of temper and dryly sarcastic of speech."
Source: Gutenberg

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