John Henry Freese and Anonymous

Summary

John Henry Freese and Anonymous 1911 Encyclopædia Britannica (1911)

ORPHEUS, in Greek legend, the chief representative of the art of song and playing on the lyre, and of great importance in the religious history of Greece. The derivation of the name is uncertain, the most probable being that which connects it with ὀρφ- (“dark,” ὀρφναῖος, ὄρφνη) . In accordance with this, Orpheus may have been originally a god of darkness; or the liberator from the power of darkness by his gift of song; or he may have been so called because his rites were celebrated by night (cf. Dionysus Nyctelius) . It is possible, but very improbable, that Orpheus was an historical personage
Source: Wikisource

John Henry Freese and Anonymous 1911 Encyclopædia Britannica (1911)

From the 6th century onwards he was looked upon as one of the chief poets and musicians of antiquity, the inventor or perfecter of the lyre, who by his music and singing was able not only to charm the wild beasts, but even to draw the trees and rocks from their places, and to arrest the rivers in their course. As one of the pioneers of civilization, he was supposed to have taught mankind the arts of medicine, writing and agriculture.
Source: Wikisource

John Henry Freese and Anonymous 1911 Encyclopædia Britannica (1911)

Orpheus, in the manner of his death, was considered to personate the god Dionysus, and was thus the representative of the god torn to pieces every year, a ceremony enacted by the Bacchae in the earliest times with a human victim, afterwards with a bull to represent the bull-formed god. A distinct feature of this ritual was ὠμοφαγία (eating the flesh of the victim raw) , whereby the communicants imagined that they consumed and assimilated the god represented by the victim, and thus became filled with the divine ecstasy.
Source: Wikisource

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