Summary

Portrait of John Henry Middleton John Henry Middleton 1911 Encyclopædia Britannica, Volume 28… (1911)

Federigo attained an eminence far beyond his very limited merits as a painter, and was perhaps the most popular artist of his generation. Probably no other painter has ever produced so many enormous frescoes crowded with figures on the most colossal scale, all executed under the unfortunate delusion that grandeur of effect could be attained merely by great size combined with extravagance of attitude and exaggeration of every kind.
Source: Wikisource

Portrait of John Henry Middleton John Henry Middleton 1911 Encyclopædia Britannica, Volume 28… (1911)

His success as a painter of portraits and other works in oil was more reasonable than the admiration expressed for his colossal frescoes. A portrait of a “Man with Two Dogs,” in the Pitti Palace at Florence, is a work of some real merit, as is also the “Dead Christ and Angels” in the Borghese Gallery in Rome. Federigo was soon recalled to Rome to finish his work on the vault of the Pauline chapel.
Source: Wikisource

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