John Obadiah Westwood

John Obadiah Westwood

Summary

Portrait of John Obadiah Westwood John Obadiah Westwood Archaeological Journal (1850)

Nothing can be more singular than some of these representations, even of the Ox and Eagle, which bird is, however, splendidly represented in the fragment in the Library of Corpus Christi College, Cambridge, whilst the Lion, in the Paris Gospels, is a really respectable delineation of the king of beasts. Some- times these symbols are represented wingless, but occasionally they are tetrapterous, according with the Vision of Ezekiel, as in the Book of Armagh, or are only furnished with a pair of wings.
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Portrait of John Obadiah Westwood John Obadiah Westwood Archaeological Journal (1850)

The Liber Generationis is treated in the Lambeth Volume just as in the Book of Armagh, except that the tail of the second letter I is cut off short, whilst the "initium" of St. Mark is precisely similar. The same peculiar wheel-like pattern, formed of interlaced ribbons, is also found, I think exclusively, in both these MSS. On the other hand, the Lambeth Volume is entirely destitute of the peculiar spirally convoluted lines, forming so very distinct a feature in many Irish drawings, and which occurs in some of the illuminations of the Book of Armagh
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Portrait of John Obadiah Westwood John Obadiah Westwood Archaeological Journal (1850)

The same Gospels of Mac Durnan contain drawings of the two other Evangelists, St. Matthew and St. Luke, of which copies are here presented, and which I consider to be more archaeologically interesting than any of the other figures of the Evangelists which I have yet seen. St. Luke holds in his right hand the short Episcopal cambutta, rounded at the top, and truncate at the bottom; whilst St. Matthew holds a pastoral staff as long as himself, with a similar top, but pointed at the bottom.
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