Summary

Joseph Grimaldi Memoirs of Joseph Grimaldi

Horses were introduced—a jolly fat Parson, Pantaloon, and the Clown, took part in the joys of the chase; Pantaloon on a little Shetland pony was followed by Grimaldi on a great cart-horse, aping the mammoth wonder for size; Joe with a long wagoner's whip in his hand, and a jockey-cap, the peak of prodigious extent, seemed as anxious to be in at the death as if nothing in the world was comparable to it; his eagerness created a doubt whether Barnes and his miniature horse would or would not be galloped over by Joe and his Bucephalus—or be trundled over, horse and man, for the popular diversion.
Source: Gutenberg

Joseph Grimaldi Memoirs of Joseph Grimaldi

This is no bad illustration of some of the miseries of a poor actor's life. The jest on the lip, and the tear in the eye, the merriment on the mouth, and the aching of the heart, have called down the same shouts of laughter and peals of applause a hundred times. Characters in a state of starvation are almost invariably laughed at upon the stage—the audience have had their dinner.
Source: Gutenberg

Joseph Grimaldi Memoirs of Joseph Grimaldi

This strong endurance of griefs so keen, and reverses so poignant may perhaps teach more strongly than a hundred homilies, that there are no afflictions which time will not soften and fortitude overcome. Let those who smile at the deduction of so trite a moral from the biography of a clown, reflect, that the fewer the resources of a man's own mind, the greater his merit in rising superior to misfortune. Let them remember too, that in this case the light and life of a brilliant theatre were exchanged in an instant for the gloom and sadness of a dull sick-room.
Source: Gutenberg

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