Summary

Portrait of Joseph Smith Fletcher Joseph Smith Fletcher The Middle of Things — X. The Parish Register (1922)

When the seventh Earl died, his elder son, Lord Marketstoke, ipso facto, stepped into his shoes, and if he were, or is, still alive, he's in them still. All he had to do, at any moment, after his father's death, no matter who had come into title and estates, was to step forward and say: 'Here I am!—now I want my rights!'"
"A queer business altogether!" commented Viner. "But whoever Ashton was, he's dead. And the thing that concerns me is this: if he really was Earl of Ellingham, do you think that fact's got anything to do with his murder?"
Source: Wikisource

Portrait of Joseph Smith Fletcher Joseph Smith Fletcher The Middle of Things — X. The Parish Register (1922)

As men get older, their thoughts turn fondly to the scenes and memories of their youth, Viner. If Ashton was really the Lord Marketstoke who disappeared, he may have come down here with no other thought than that of just revisiting his old home for sentimental reasons. He may not have had the slightest intention, for instance, of setting up a claim to the title and estates.
Source: Wikisource

Portrait of Joseph Smith Fletcher Joseph Smith Fletcher The Middle of Things — X. The Parish Register (1922)

Favourite family name without a doubt."
Viner silently went round the chapel, inspecting every monument its four walls sheltered.
"It occurs just nineteen times," he announced at last. "Now, is it a coincidence that Miss Wickham's name should be Avice? Or is it that there's some connection between her and all these dead and gone Avices?"
"Very strange!" admitted Mr. Pawle. "Viner—we'll go next and have a look at the parish registers. But look here! Not a word to parson or clerk about our business! We merely wish to make search for a certain legal purpose, eh?"
Source: Wikisource

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