Summary

Portrait of Jules Verne Jules Verne Cæsar Cascabel — Part 1, Chapter XII (1890)

And, during this journey, free from obstacles and exempt of fatigue, did the artists of the Cascabel troupe neglect rehearsing their exercises, keeping up the strength of their muscles, the suppleness of their limbs, the agility of their fingers? No, assuredly; and unless the heat would forbid it, each evening the camping ground was transformed into an arena whose only spectators were Mr. Sergius and Kayette. Both admired the achievements of the hard-working people—the Indian girl, not without some astonishment; Mr. Sergius with kindly interest.
Source: Wikisource

Portrait of Jules Verne Jules Verne Cæsar Cascabel — Part 1, Chapter XII (1890)

Since they had left Sitka, the young Indian woman had rendered the little troupe valuable services by guiding them with marvelous accuracy. Once already during her nomadic life, she had traveled these plains watered by the great Alaskan river. Questioned by Mr. Sergius on the way her childhood had been spent, she had related the hardships of her life, when the Ingelete tribes migrated from one point to another in the valley of the Yukon, and how her tribe had been scattered, and how her parents and relatives disappeared.
Source: Wikisource

Portrait of Jules Verne Jules Verne Cæsar Cascabel — Part 1, Chapter XII (1890)

One thing that had given him great satisfaction, was that his father had had to abandon his idea of making an “artist” of Kayette. From the day when she had been adopted by Mr. Sergius, a wealthy, educated man, who belonged to the best society, her future prospects had been assured, and that, under the most favorable conditions. Yes, he felt happy to think of it, good honest John did, although he experienced a pang of real sorrow at the thought that Kayette would leave them when they reached Behring Strait. And leave them she would not have had to, if she had joined the troupe as a dancer!
Source: Wikisource

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