Karl Hermann Ethé

Summary

Karl Hermann Ethé 1911 Encyclopædia Britannica (1911)

He felt, no doubt, that the object of epic poetry was not to teach moral lessons or doctrines of faith, but to depict the good and bad tendencies of the human mind, the struggles and passions of men; and indeed in the whole range of Persian literature only Firdusī and Fakhr-uddīn As‛ad Jorjānī, the author of the older epopee Wīs u. Rāmīn (about the middle of the 11th century) , can compete with Nizāmī in the wonderful delineation of character and the brilliant painting of human affections, especially of the joys and sorrows of a loving and beloved heart.
Source: Wikisource

Karl Hermann Ethé 1911 Encyclopædia Britannica (1911)

Sa‘dī’s lyrical poems possess neither the easy grace and melodious charm of Ḥāfiż’s songs nor the overpowering grandeur of Jelālud-dīn Rūmī’s divine hymns, but they are nevertheless full of deep pathos and show such a fearless love of truth as is seldom met with in Eastern poetry. Even his panegyrics, although addressed in turn to almost all the rulers who in those days of continually changing dynasties presided over the fate of Persia, are free from that cringing servility so common in the effusions of Oriental encomiasts.
Source: Wikisource

Karl Hermann Ethé 1911 Encyclopædia Britannica (1911)

At last, weary of Damascus, he withdrew into the desert near Jerusalem and led a solitary wandering life, till one day he was taken captive by a troop of Frankish soldiers, brought to Tripoli, and condemned to forced labour in the trenches of the fortress. After enduring countless hardships, he was eventually rescued by a rich friend in Aleppo, who paid his ransom, and gave him his daughter in marriage. But Saʽdī, unable to live with his quarrelsome wife, set out on fresh travels, first to North Africa and then through the length and breadth of Asia Minor and the adjoining countries.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature