Summary

Portrait of Kate Chopin Kate Chopin Bayou Folk — A Gentleman of Bayou Têche (1894)

She turned at the cabin door to observe tentatively: “I reckon it’s Wilkins tells you how the folks they talk, yonda up to Mr. Hallet’s.”
She did not go to the store as she had intended, but walked with a dragging step back to her home. The silver dollars clicked in her pocket as she walked. She felt like flinging them across the field; they seemed to her somehow the price of shame.
The sun had sunk, and twilight was settling like a silver beam upon the bayou and enveloping the fields in a gray mist. Evariste, slim and slouchy, was waiting for his daughter in the cabin door.
Source: Wikisource

Portrait of Kate Chopin Kate Chopin Bayou Folk — A Gentleman of Bayou Têche (1894)

Mr. Sublet had seen the man on the back gallery just as he came out, trying to sell a wild turkey to the housekeeper. He spoke to him at once, and in the course of conversation engaged him to return to the house the following morning and have his picture drawn. He handed Evariste a couple of silver dollars to show that his intentions were fair, and that he expected the ‘Cadian to keep faith with him.
“He tell’ me he want’ put my picture in one fine ‘Mag’zine,’” said Evariste to his daughter, Martinette, when the two were talking the matter over in the afternoon.
Source: Wikisource

Portrait of Kate Chopin Kate Chopin Bayou Folk — A Gentleman of Bayou Têche (1894)

Léonce to cut yo’ hair, an’ yo’ w’sker’ a li’le bit.”
“It’s w’at I say,” chimed in Evariste. “I tell dat gent’man I’m goin make myse’f fine. He say’, ‘No, no,’ like he ent please’. He want’ me like I come out de swamp. So much betta if my pant’loon an’ coat is tore, he say, an’ color’ like de mud.” They could not understand these eccentric wishes on the part of the strange gentleman, and made no effort to do so.
An hour later Martinette, who was quite puffed up over the affair, trotted across to Aunt Dicey’s cabin to communicate the news to her.
Source: Wikisource

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