Hermann Wilhelm Vogel

Hermann Wilhelm Vogel

Summary

Portrait of Hermann Wilhelm Vogel Hermann Wilhelm Vogel,  Popular Science Monthly (1874)

“ A ridge of finely-broken mountains in the background, their summits shining in the setting sun, frames in the wonderful picture, whose effect is only injured by one object—a ruinous pig-sty close to the spectator, with a dung-heap beside it. A painter, wishing to paint this scene, would certainly have no scruple about altogether leaving out the pig-sty, or leaving it so indistinct and dark that it would not injure the landscape. ”
Source: Wikisource

Portrait of Hermann Wilhelm Vogel Hermann Wilhelm Vogel,  Popular Science Monthly (1874)

“ All objects in the landscape—trees, houses, and men—have had too short an exposure, and form a black mass. There, where the eye clearly distinguishes road, village, forest, and meadow, it sees in the photograph nothing but a dark patch without any outline. Is such a picture true? Even the most fanatical enthusiast of photography will not dare maintain this. ”
Source: Wikisource

Portrait of Hermann Wilhelm Vogel Hermann Wilhelm Vogel,  Popular Science Monthly (1874)

“ The plate is indifferent to every thing, while the genuine artist, in reproducing a view of Nature, gives prominence to what is characteristic, and entirely keeps under or softens off accessories. He can dispose and manage it with artistic freedom, and he has a perfect right to do so, because, by his giving prominence to what is characteristic, and dropping what is accessory, he is truer than photography, which gives equal prominence to both, and often more to what is accessory. ”
Source: Wikisource

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