Kate Douglas Smith Wiggin

Kate Douglas Smith Wiggin

Summary

Portrait of Kate Douglas Smith Wiggin Kate Douglas Smith Wiggin Penelope's English Experiences

Francesca is in love, Salemina never has been in love, I never shall be in love. Francesca is rich, Salemina is well-to-do, I am poor. There we are in a nutshell.
We are not only in London again, but we are again in Smith's private hotel; one of those deliciously comfortable and ensnaring hostelries in Mayfair which one enters as a solvent human being, and which one leaves as a bankrupt, no matter what may be the number of ciphers on one's letter of credit; since the greater one's apparent supply of wealth, the greater the demand made upon it.
Source: Gutenberg

Portrait of Kate Douglas Smith Wiggin Kate Douglas Smith Wiggin Penelope's English Experiences

How can you tell whether you're in love with me, I repeat, unless you keep me under constant examination?”
“That seems sensible, though I dare say it is full of sophistry; but I have made up my mind to go into the country and paint while Salemina and Francesca are on the Continent. One cannot think in this whirl. A winter season in Washington followed by a summer season in London,—one wants a breath of fresh air before beginning another winter season somewhere else. Be a little patient, please. I long for the calm that steals over me when I am absorbed in my brushes and my oils.”
Source: Gutenberg

Portrait of Kate Douglas Smith Wiggin Kate Douglas Smith Wiggin Penelope's English Experiences

When I call upon Lady DeWolfe, I say to myself impressively, as I go up the steps: 'You are as good as a butler, as well born and well bred as a butler, even more intelligent than a butler. Now, simply because he has an unapproachable haughtiness of demeanour, which you can respectfully admire, but can never hope to imitate, do not cower beneath the polar light of his eye; assert yourself; be a woman; be an American citizen!' All in vain.
Source: Gutenberg

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