Summary

Portrait of L. T. Meade L. T. Meade,  A Sweet Girl Graduate

“ Aunt Raby was fast asleep when Priscilla reentered the little sitting-room. The girl knelt down by the slight, old figure, and, stooping, pressed a light kiss on the forehead. Light as it was it awoke the sleeper.
“You are there still, child?” said Aunt Raby. “I dreamt you were away.”
“Would you like me to stay with you, auntie?”
“No, my dear; you help me upstairs, and I’ll get into bed. You ought to be in your own bed, too, Prissie. Young creatures ought never to sit up late, and you have a journey before you to-morrow.”
”
Source: Gutenberg

Portrait of L. T. Meade L. T. Meade,  A Sweet Girl Graduate

“ Maggie turned away, seated herself by her writing bureau and tried to lose both the past and the present in her beloved Greek.
“She will do it, too,” whispered Nancy as she left the room. “No one ever was made quite like Maggie. She can feel tortures and yet the next moment she can be in ecstasy. She is so tantalizing that at times you are almost brought to believe her own stories about herself. You are almost sure that she has got the black self as well as the white self. But through it all, yes, through it all, you love her. Dear Maggie! Whatever happens, I must always— always love her.”
”
Source: Gutenberg

Portrait of L. T. Meade L. T. Meade,  A Sweet Girl Graduate

“ I’ll hear your news another time, Priscilla; but don’t you be turned with the vanities of the world, Priscilla. Life’s but a passing day: you mind that when you’re young, and it won’t come on you as a shock when you are old. I’m glad the cashmere has worn well—ay, that I am, Prissie. But don’t put it on in the morning, my love, for it’s a sin to wear through beautiful fine stuff like that. And, even if the colour is gone a bit round the hem, the stuff itself isn’t worn, and looks don’t signify. ”
Source: Gutenberg

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