Summary

Portrait of Laurence Hutton Laurence Hutton A Boy I Knew and Four Dogs

He would rather be shut up, in the Williamsons’ kitchen, with John and Sarah, and with a chance of seeing Flossie through the wire-screened door, than roam in perfect freedom over all his own domain.
He will bark at horses’ heels until he is brought home, some day, with broken ribs. Nothing but hard experience teaches Roy. There is no use of boxing his ears. That only hurts his feelings, and gives him an extra craving for sympathy. He licks the hand that licks him, until everyone of the five fingers is heartily ashamed of itself.
Source: Gutenberg

Portrait of Laurence Hutton Laurence Hutton A Boy I Knew and Four Dogs

But nobody except The Boy knows of the agony which the rest of the family, unconsciously, and with no thought of hurting his feelings, caused him by the fun they poked at his nose, at his fiery locks, and at his unhandiness. He fancied that passers-by pitied him as he walked or played in the streets, and he sincerely pitied himself as a youth destined to grow up into an awkward, tactless, stupid man, at whom the world would laugh so long as his life lasted.
Source: Gutenberg

Portrait of Laurence Hutton Laurence Hutton A Boy I Knew and Four Dogs

It is not impossible that he is making-believe all the time. One great, good thing can be said for Roy: he is [p 87]
never really cross; he never snaps; he never snarls; he never bites his human friends, no matter how great the provocation may be. Roy is a canine enigma, the most eccentric of characters. His family cannot determine whether he is a gump or a genius. But they know he is nice; and they like him!
Long may Roy be spared to wag his earthly tail, and to bay deep-mouthed welcome to his own particular people as they draw near home.
Source: Gutenberg

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