Leigh Brackett

Leigh Brackett

Summary

Portrait of Leigh Brackett Leigh Brackett Out of the sea (1942)

The girl slipped in the loose rubble, and lost her hold on Fallon. The broad tentacles on the ray's head closed in like the horns of a half moon, folding the girl in a narrowing circle of death.
Fallon raised his iron curtain rod. He was irrationally conscious, with a detached fragment of his brain, of the girl's sapphire eyes and the lovely strength of her body. Her face was set with terror, but she didn't scream. She fought.
Something turned over in Fallon's heart, something buried and unfamiliar. Something that had never stirred for Madge. He stepped in. The bar swung up, slashed down.
Source: Gutenberg

Portrait of Leigh Brackett Leigh Brackett Out of the sea (1942)

Fallon's hard jaw set. "I can't go any longer without sleep."
Bjarnsson's cragged face was flushed and greasy behind his helmet, but his eyes were like glittering frost.
"All the whisky and the women," he whispered. "They make you soft, Fallon. The girl would have been better."
A flashing glimpse of Joan as she had looked in the car that morning crossed the eye of Fallon's mind—the tumbled fair hair and the sunlight warm on throat and cheek, and her voice saying, "You wouldn't be bad, Webb ... so lazy and so hell-fired selfish!"
Source: Gutenberg

Portrait of Leigh Brackett Leigh Brackett Out of the sea (1942)

He thought Joan answered, but there was another picture. A vast red crab, pulling a man to bits with its claws. And after that, the shrieking woman outside the broken window, dragged down by a worm.
"Wonder who got those shots?" said Fallon. Again Joan answered, but he didn't hear her. The pictures moved more rapidly. Rays, black against the blue sky. Planes falling. Guns firing and firing and choking to silence. People, black endless streams of them, running, running, running.
Joan pulled at him. Her face was strangely huge. Her eyes were as he had first seen them, hard chips of sapphire.
Source: Gutenberg

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