Summary

Portrait of Louis Becke Louis Becke By Reef and Palm — Brantley of Vahitahi (1916)

It was the hour of dawn, and the native at the tiller sang, as the stars began to pale before the red flush that tinged the sky to windward, a low chant of farewell to Fetuaho, the star of the morning, and then he called to Brantley, who to all his crew was always “Paranili,” and never “Kapeni [1] ,” and pointed with his naked, tattooed arm away to leeward, where the low outlines of an island began to show.
“Look, Paranili, that is Tatakoto—the place I have told thee of, where the turtle makes the white beach to look black. Would it not be well for us to take some home to Vahitahi?”
Source: Wikisource

Portrait of Louis Becke Louis Becke By Reef and Palm — Brantley of Vahitahi (1916)

Luita pushed my hand away and hugged the child to her bosom; and then the other women came and made signs for me to go away. And that night she and the child were missing, and one of your boats was gone.”
“Poor Luita,” said Brantley, stroking Doris’s pale cheek, “she did not know you were my sister. I never told her, Doris.”
“She is a very beautiful woman, Fred. They told me at Tahiti that she was called the pearl of Vahitahi; and oh! my dear, if we can but find her, I will make her love me for your sake.”
Source: Wikisource

Portrait of Louis Becke Louis Becke By Reef and Palm — Brantley of Vahitahi (1916)

Only for her he would have sunk to the life of a mere idle, gin-drinking, and dissolute beach-comber. As it was, his steady, straightforward life among the people of the island was a big factor to his business success. And so every year he sent money to Doris by some passing whaler or Tahitian trading schooner, but twice only had he got letters from her; and each time she had said: “Let me come to you, Fred. We are alone in the world, and may never meet again else. Sometimes I awake in the night with a sudden fear.
Source: Wikisource

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