Summary

Portrait of Louis Becke Louis Becke By Reef and Palm — The Fate of the "Alida" (1916)

Getting into our boat we were pulled ashore and landed on the beach in front of the trader’s house.
“Well, Taplin, here’s your schooner at last,” said old Tom, as we shook hands and seated ourselves in the comfortable, pleasant-looking room. “I see you’re getting ready to go.”
Taplin was a man of about thirty or so, with a quiet, impassive face, and dark, deep-set eyes that gave to his features a somewhat gloomy look, except when he smiled, which was not often. Men with that curious, far-off look in their eyes are not uncommon among the lonely islands of the wide Pacific.
Source: Wikisource

Portrait of Louis Becke Louis Becke By Reef and Palm — The Fate of the "Alida" (1916)

I began, when old Captain Warren burst in with—“Look here, Taplin, we haven’t got much time to talk. Here’s the Alida’S boat coming, with that (blank blank) scoundrel Motley in it. Take my advice. Don’t go away in the Alida.” And then he looked at Nerida, and whispered something.
A red spark shone in Taplin’s dark eyes, then he pressed Warren’s hand.
“I know,” he answered, “he’s a most infernal villain—Nerida hates him too. But you see how I am fixed. The Alida is our only chance of getting back to the north-west. But he hasn’t got old Raymond to deal with in me. Here they are.”
Source: Wikisource

Portrait of Louis Becke Louis Becke By Reef and Palm — The Fate of the "Alida" (1916)

We were lying inside Funafuti Lagoon, in the Ellice Group. The last cask of oil had been towed off to the brig and placed under hatches, and we were to sail in the morning for our usual cruise among the Gilbert and Kingsmill Islands.
Our captain, a white trader from the shore, and myself, were sitting on deck “yarning” and smoking. We lay about a quarter of a mile from the beach—such a beach, white as the driven snow, and sweeping in a great curve for five long miles to the north and a lesser distance to the south and west.
Source: Wikisource

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