Frances Hodgson Burnett,
Emily Fox-Seton
“ Warren was of the mental build of the man whose life would be interesting and full of outlook if it were spent on a desert island or in the Bastille. ”
The concept of "Warren" emerges as a multifaceted name, often associated with characters traversing intricate social, moral, or personal realms. In literature, it appears as a surname connected to figures like Mrs. Warren in George Bernard Shaw’s Mrs. Warren’s Profession, where the name serves as a means of critiquing societal hypocrisy and economic exploitation.
Other authors, such as Harry Johnston and Frances Hodgson Burnett, present Warren as a character defined by reflection or historical significance, while Harvey J. O’Higgins uses the name to signify sharp, resourceful resilience. These diverse depictions highlight how "Warren" embodies themes of identity, aspiration, and the dynamic between personal initiative and societal frameworks.
Frances Hodgson Burnett,
Emily Fox-Seton
“ Warren was of the mental build of the man whose life would be interesting and full of outlook if it were spent on a desert island or in the Bastille. ”
Harry Johnston, Mrs. Warren's Daughter: A Story of the Woman's Movement
“ Warren it was going for her to be the last hour of fully conscious life—fully conscious and yet a curious mingling in it of the past and present. She had sat here in the middle of the 'seventies with Vivie's father, the young Irish seminarist, her lover for six months. He had a vague interest in botany, and during his convalescence after his typhoid fever, when she was still his nurse, not yet his mistress, she used to bring him here to rest and to enjoy the aspect of these ferns and palms. What a strange variety of men she had known. ”
Bernard Shaw,
Mrs. Warren's Profession
“ PRAED. How do you do, Miss Warren? [She presses his hand cordially, though a certain sentimentality in his high spirits jars upon her] . I start in an hour from Holborn Viaduct. I wish I could persuade you to try Italy. VIVIE. What for? PRAED. Why, to saturate yourself with beauty and romance, of course. [Vivie, with a shudder, turns her chair to the table, as if the work waiting for her there were a support to her. Praed sits opposite to her. Frank places a chair near Vivie, and drops lazily and carelessly into it, talking at her over his shoulder.] FRANK. No use, Praddy. ”