Louis Couperus,
The Dial
(1923)
“ Humour has its eye on her—dear, kind humour, which does not admit the least shade of cruelty. In Paris she meets Jean Damour, an elderly man, a worthy younger colleague of her father's. Jean Damour is a credit to his name: he was already in love with Marie when she set out for Bucharest. During her absence abroad he has come into a legacy: he is well off. Marie tells him her tragedy and the good fellow marries her and . . . and even adopts her son, who is born three months later, as his own. You can't paint cruel portraits of such good people as that. ”
