Summary

Louis Zangwill Cleo The Magnificent; Or, The Muse of the Real…

Why, so-and-so had told her her acting had never been surpassed on the English stage; and he had seen every piece played in London during the last thirty years. She repeated the flattery and fawning that had been bestowed upon her by the men who had been fluttering around her, accepting all as the natural outpour of their sincerity; she quoted with unction the lying notices she had shown him the day before.
Morgan knew better than to expect her to have one thought of sympathy for him, to utter one word of sorrow for the plight into which her stage-madness had brought him.
Source: Gutenberg

Louis Zangwill Cleo The Magnificent; Or, The Muse of the Real…

And his temperament prevailed over his will. He allowed the full flow of love to flood his spirit. Great poems were summed up in one quick flash; in a second he lived through a century of fine words.
And, as if divining his thought, she turned to him and spoke. Her words seemed softly to ring through the din, and he gave himself up to the full delight of the moment.
"Do you know, Morgan"—for he was always "Morgan" to everybody there—"a great change has occurred in my dignity the last few days?"
"You are to marry a peer," he hazarded.
Source: Gutenberg

Louis Zangwill Cleo The Magnificent; Or, The Muse of the Real…

Life, to be true, must involve all the functions of the soul—thought, emotion and will; must be lived with a healthy fulness. He had not so lived it. His error had lain in detachment, which had well-nigh brought him to the verge of destruction. And now it was with him a time of reconstruction.
He desired to face that full actuality of things from which he had always shrunk as from a terrifying chaos, wilfully shutting out from his vision all but its superficial forms and tones. He wished to open his spirit to the feeling and throb of the living world.
Source: Gutenberg

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