Louisa M. Middleton, Dictionary of National Biography (1901)
“ Henceforward he produced songs and ballads with surprising facility, some of the most melodious of them ('Rise, gentle Moon,' 'My Fatherland,' and others) being composed for the plays with music then in vogue. For the Lyceum, and especially for the Olympic, where Barnett was musical director in 1832, he composed a number of musical farces. This inartistic employment wearied a musician of the calibre of Barnett, whose aim it became to wed music to poetry in true dramatic form, and whose ambition seems to have been to write a national English opera. ”
