Summary

Portrait of Louisa May Alcott Louisa May Alcott Under the Lilacs — Cupid's Last Appearance (1877)

After some delay and several crashes behind the curtain, which mightily amused the audience, the performance began with the well-known tragedy of "Bluebeard;" for Bab had set her heart upon it, and the young folks had acted it so often in their plays that it was very easy to get up, with a few extra touches to scenery and costumes. Thorny was superb as the tyrant with a beard of bright blue worsted, a slouched hat and long feather, fur cloak, red hose, rubber boots, and a real sword which clanked tragically as he walked.
Source: Wikisource

Portrait of Louisa May Alcott Louisa May Alcott Under the Lilacs — Cupid's Last Appearance (1877)

Be quick and get out of the way when she goes off!" whispered Ben, but they heard him and prepared for pistols, rockets or combustibles of some sort, as ships were impossible under the circumstances, and no other "She" occurred to them.
A unanimous "O-o-o-o !" was heard when the curtain rose, but a stern "Hush!" from Thorny kept them mutely staring with all their eyes at the grand spectacle of the evening. There stood Lita with a wide flat saddle on her back, a white head-stall and reins, blue rosettes in her ears, and the look of a much-bewildered beast in her bright eyes.
Source: Wikisource

Portrait of Louisa May Alcott Louisa May Alcott Under the Lilacs — Cupid's Last Appearance (1877)

This tableau was so very good, and yet so funny, that the children clapped and shouted frantically; this excited the dog, who gave a bounce and would have leaped off the bed to bark at the rioters, if Betty had not caught him by the legs, and Thorny dropped the curtain just at the moment when the wicked wolf was apparently in the act of devouring the poor little girl, with most effective growls.
They had to come out then, and did so, both much dishevelled by the late tussle, for Sancho's cap was all over one eye, and Betty's hood was anywhere but on her head.
Source: Wikisource

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