Marie Belloc Lowndes

Marie Belloc Lowndes

Summary

Portrait of Marie Belloc Lowndes Marie Belloc Lowndes Studies in love and in terror

From the captain's bridge there whistled every quarter minute a high rocket, and soon from behind the wall of fog came in answer distant signals full of a mingled mockery and hope to the people waiting there.
But for John Coxeter the drama of his own soul took precedence of that going on round him. Had he been alone he would have shared to the full the awful, exasperating feeling of being trapped, of there being nothing to be done, which possessed all the thinking minds about him. But he was not alone——
Nan, lying on his breast, seemed to pour virtue into him—to make him extraordinarily alive.
Source: Gutenberg

Portrait of Marie Belloc Lowndes Marie Belloc Lowndes Studies in love and in terror

Claire smiled. Her hand no longer hurt her; her fingers had become quite numb.
"Afraid?" she said, and there was a little scorn in her voice. And then, "Ah me! I only wish that there were far more risk than there is about that which we are going to do together to-morrow." She was in a dangerous mood, poor soul—the mood that raises a devil in men. But perhaps her good angel came to help her, for suddenly, "Forgive me," she said humbly. "You know I did not mean that! Only cowards wish for death."
Source: Gutenberg

Portrait of Marie Belloc Lowndes Marie Belloc Lowndes Studies in love and in terror

By the time Coxeter turned into Cavendish Square he had travelled far further than the Monument. He was in Richmond Park; Nan's hand was thrust through his arm, as it had been while they had watched the first boat fill slowly with the women and children.
To lovers who remember, the streets of a great town, far more than country roads and lanes, hold over the long years precious, poignant memories, for a background of stones and mortar has about it a character of permanence which holds captive and echoes the scenes and words enacted and uttered there.
Source: Gutenberg

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