Summary

Portrait of Marie Stopes Marie Stopes Married Love — Chapter 4: The Fundamental Pulse (1918)

A woman may be, like a man, so swayed by a great love that there is not a day in the whole month when her lover's touch, his voice, the memory of his smile, does not stir her into the thrilling longing for the uttermost union. Hence it is often difficult, particularly for a woman dwelling with the man she loves, to recognize this rhythm in herself, for she may be perpetually stimulated by her love and by his being.
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Portrait of Marie Stopes Marie Stopes Married Love — Chapter 4: The Fundamental Pulse (1918)

Woman is so sensitive and responsive an instrument, and so liable in our modern civilized world to be influenced by innumerable sets of stimuli, that it is perhaps scarcely surprising that the deep, underlying waves of her primitive sex-tides have been obscured and entangled so that their regular sequence has been masked in the choppy turmoil of her sea, and their existence has been largely unsuspected, and apparently quite unstudied.
Source: Wikisource

Portrait of Marie Stopes Marie Stopes Married Love — Chapter 4: The Fundamental Pulse (1918)

To find a woman in whom the currents are not all so entangled that the whole is inseparable into factors, is not easy, but I have found that wives (particularly happy wives whose feelings are not complicated by the stimulus of another love) who have been separated from their husbands for some months through professional or business duties – whose husbands, for instance, are abroad – are the women from whom the best and most definitive evidence of a fundamental rhythm of feeling can be obtained.
Source: Wikisource

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