Summary

Portrait of Marjorie Bowen Marjorie Bowen The Viper of Milan — 7. "Graziosa's Bracelet" (1906)

About the streets of Milan he was a far more familiar figure than his brother, who was seldom seen, but of whose unscrupulous power Tisio was the living symbol.
Complete liberty was allowed him; still the soldiers behind were rather guards than servants, and charged to see he did not leave the gates. Dropping his loose reins on the palfrey's neck, Tisio Visconti looked around him with lack-luster eyes and a dull smile. He was riding through the long, narrow streets, cobbled and overhung with high straight houses, that lead to the western gate.
Source: Wikisource

Portrait of Marjorie Bowen Marjorie Bowen The Viper of Milan — 7. "Graziosa's Bracelet" (1906)

But Visconti curbed himself. To have the mastery of others he must keep the mastery of himself.
"Giannotto," he said, and the secretary started as if a whip had touched him, "thou wilt see to it that Da Salluzzo searches Milan and all Lombardy—that he spares neither treasure nor blood—and that he brings to me dead, or living, Count Conrad von Schulembourg, and the writer of these parchments."
Source: Wikisource

Portrait of Marjorie Bowen Marjorie Bowen The Viper of Milan — 7. "Graziosa's Bracelet" (1906)

And at his words, and the tone in which he spoke them, Graziosa's pity overcame her fear.
In silence, tears in her eyes, she handed him the flowers. He took them eagerly, but before she could withdraw her hand, he grasped her arm with a childish exclamation and touched the bracelet of fine workmanship she wore upon the wrist.
"I will have this too," he said, laughing with satisfaction: but the girl drew her arm back sharply and turned to go.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature