Summary

Mark Pattison 1911 Encyclopædia Britannica, Volume 18… (1911)

Unfortunately for Sir Thomas More, a lord chancellor is not merely a judge, but has high political functions to perform. In raising More to that eminent position, the king had not merely considered his professional distinction but had counted upon his avowed liberal and reforming tendencies. In the Utopia, which, though written earlier, More had allowed to be printed as late as 1516, he had spoken against the vices of power, and declared for indifference of religious creed with a breadth of philosophical view of which there is no other example in any Englishman of that age.
Source: Wikisource

Mark Pattison 1911 Encyclopædia Britannica, Volume 18… (1911)

Learning Greek was not the matter of course which it has since become. Greek was not as yet part of the arts curriculum, and to learn it voluntarily was ill looked upon by the authorities. Those who did so were suspected of an inclination towards novel and dangerous modes of thinking, then rife on the Continent and slowly finding their way to England. More’s father, who intended his son to make a career in his own profession, took the alarm; he removed him from the university without a degree, and entered him at New Inn to commence at once the study of the law.
Source: Wikisource

Mark Pattison 1911 Encyclopædia Britannica, Volume 18… (1911)

More was not only a lawyer, a wit, a scholar, and a man of wide general reading; he was also a man of cultivated taste, who delighted in music and painting. He was an intimate friend of Holbein, whose first introduction to England was as a visitor to More in his house at Chelsea, where the painter is said to have remained for three years, and where he probably first met Henry VIII. Holbein painted portraits of Sir Thomas and his family.
Source: Wikisource

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