Summary

Portrait of Mark Twain Mark Twain The American Claimant — Chapter XVI (1892)

Well, they are not the achievement of a single intellect, a single talent—it takes two to do these miracles. They are collaborations; the one artist does the figure, the other the accessories. The figure-artist is a German shoemaker with an untaught passion for art, the other is a simple hearted old Yankee sailor-man whose possibilities are strictly limited to his ship, his cannon and his patch of petrified sea.
Source: Wikisource

Portrait of Mark Twain Mark Twain The American Claimant — Chapter XVI (1892)

Saltmarsh could whirl a horse in, or a piano, or a guitar, in place of his cannon. The fact is, he fatigues the market with that cannon. Even the male market, I mean. These fourteen in the procession are not all satisfied. One is an old 'independent' fireman, and he wants an engine in place of the cannon; another is a mate of a tug, and wants a tug in place of the ship —and so on, and so on. But the captain can't make a tug that is deceptive, and a fire engine is many flights beyond his power.
Source: Wikisource

Portrait of Mark Twain Mark Twain The American Claimant — Chapter XVI (1892)

They come and they want a little johnry picture—"
"It's the accessories that make it a 'genre?'"
"Yes—cannon, or cat, or any little thing like that, that you heave in to whoop up the effect. We could do a prodigious trade with the women if we could foreground the things they like, but they don't give a damn for artillery. Mine's the lack," continued the captain with a sigh, "Andy's end of the business is all right I tell you he's an artist from way back!"
Source: Wikisource

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