Mary E. Wilkins Freeman

Mary E. Wilkins Freeman

Summary

Portrait of Mary E. Wilkins Freeman Mary E. Wilkins Freeman Little-Girl-Afraid-of-a-Dog (1906)

An enormous slatternly woman, a mountain of inert flesh, appeared. She bade the dog be quiet. He did not obey, but Emmeline had a sense of protection. It had occurred to her more than once that perhaps Mrs. Ticknor, in consideration of the eggs, would, if Spotty actually attacked her, sit upon him; that she would not actually let her be bitten. Behind Mrs. Ticknor the close room swarmed with children—children with gaping, grinning faces, some of them with impudent faces, but most of them placidly inert like their mother. The Ticknors represented the very doldrums of humanity.
Source: Wikisource

Portrait of Mary E. Wilkins Freeman Mary E. Wilkins Freeman Little-Girl-Afraid-of-a-Dog (1906)

Ticknor would never find a dish in which to deposit the eggs. Finally she did, however, and Emmeline took her basket. The little dog followed, with his circling war-dance and his crescendo of yelps, to the curve of the road. Then, as was invariably the case, he turned suddenly and ran home, as if with a sudden conviction that the game was not worth the candle.
Then Emmeline toed out, and walked on briskly, her head up; her trial for that day was over.
When she reached home her mother looked at her and her face brightened. "You look so much better for your walk, darling," she said.
Source: Wikisource

Portrait of Mary E. Wilkins Freeman Mary E. Wilkins Freeman Little-Girl-Afraid-of-a-Dog (1906)

There is in every complete personality a side which is dark except toward its own self and God, and Emmeline realized this dark side in herself, although vaguely. She knew perfectly well that nobody, not even her mother, who loved her, could understand rightly this dark side, which was sacred to herself. She knew that if she told her mother how afraid she was of that little Ticknor dog she would be petted and comforted, and would never have to face the terror again
Source: Wikisource

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