Summary

Portrait of Mary Gaunt Mary Gaunt The Moving Finger — Trotting Cob (1895)

Like Nellie she too was of opinion that Gentleman Jim would play the ghost, and if—through no fault of hers—he came to grief, she felt she would not grieve unduly. Nellie's infatuation for him was undeniable, and with a good decent man like Ben Fisher ready to take her it was unpardonable. Nellie had always been soft and yielding to her, once this man were out of the way she would be so again, and the old woman had seen enough of the seamy side of life to desire better things for the helpless girl.
Source: Wikisource

Portrait of Mary Gaunt Mary Gaunt The Moving Finger — Trotting Cob (1895)

What he had been once no man knew, though evidently he was a man of some little culture and education; what he was now was patent to every man—escaped convict, bushranger, cattle-duffer—even a murder now and again, it was whispered, came not amiss to Gentleman Jim. It was an evil face, with the handsome dark eyes set too closely together, and when there is evil in a man's face at forty, there is surely little hope for him; but bad as it was, to Nellie Durham it was the one face in the world.
Source: Wikisource

Portrait of Mary Gaunt Mary Gaunt The Moving Finger — Trotting Cob (1895)

About three in the afternoon, a lowing of cattle and cracking of stockwhips announced the arrival of Macartney's mob, and the beasts, wild with thirst, for the way had been long and hot, and the waters were dried up for miles back, rushed tumultously down into the waterhole, trampling one another in their eagerness to get to the water. The men could no nothing but look on helplessly, and finally Fisher, a tall young fellow with that sad look on his bearded face, which sometimes comes of much living alone, left the mob to his men, and flinging his reins on his horse's neck went towards the hut.
Source: Wikisource

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