Summary

Portrait of Mary Hartwell Catherwood Mary Hartwell Catherwood The Queen of the Swamp, and other plain Americans (1899)

Rilla turned her back on Infant’s several approaches, and dipped lye with a savagely noisy gourd to quench Infant’s voice. Slugs and ants in the roses, and even mildew, were no drawback at all to rose day compared to Rilla. Habits of endurance become proof armor to one’s sensibilities in the course of life, however; so Infant wandered off and absorbed the beauty of that day almost as completely as if she did so with Rilla’s approval. There was tremulous heat over the meadows. The huge and strictly tended garden was a world by itself.
Source: Gutenberg

Portrait of Mary Hartwell Catherwood Mary Hartwell Catherwood The Queen of the Swamp, and other plain Americans (1899)

Within the hour, therefore, Elsa was the bride of Arne Sandstrom, arrayed in her dark blue wedding dress of wool, and not shaming by her statue-like proportions and fairness the lighter prettiness and silken raiment of Arne Sandstrom’s American Swedish bride. Happiness and love were, after all, the natural lot in this world, thought Elsa, sitting by her husband in her place of honor at the wedding supper, and tasting the first course of such a feast—the Swedish soup of rice, prunes, raisins, and molasses.
Source: Gutenberg

Portrait of Mary Hartwell Catherwood Mary Hartwell Catherwood The Queen of the Swamp, and other plain Americans (1899)

She gathered it off Becky’s lap and laid its heat-blotched face against her shoulder. The tiny creature discharged a mouthful of its wretchedness there. America stanched the spot, and made a softer rest for its cheek with her rose-scented handkerchief. Her unconscious sweep of figure in taking the child and standing up publicly with it, thrilled beholders like piercing music or the sight of great works of art. The mother-spirit, which has brooded for centuries over this world—the passion to foster and protect and train—shone white and large in her face.
Source: Gutenberg

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