Mary Heaton Vorse

Mary Heaton Vorse

Summary

Portrait of Mary Heaton Vorse Mary Heaton Vorse The Halfway House (1921)

Down below, at the foot of the sand hill, he could hear the lap-lapping of waves; out from behind the fog the frightened voices of vessels; below the Spinet he could hear two large vessels talking to each other. Spinet, Dead Man's Bar, and the Gurnet Reef Hollow gave warning by horn and bell, and all the time the world was full of whispering, as though the voices of storm conversed together; this was broken only by the insistent lisping of the waves on the beach. The surface of the sea had begun to heave uneasily, and far off David could hear the whistling of the buoy on the shoals.
Source: Wikisource

Portrait of Mary Heaton Vorse Mary Heaton Vorse The Halfway House (1921)

An encroaching dune had swallowed it; its roof was covered with sand, only the door remained; one still could go in, and one half of a window high up let in at noon an uncertain ray of light. David walked without hesitation and without argument with himself toward the halfway house, as though to keep an appointment made with death itself.
Then there came a sound that made his heart stop for a beat, as though from the fog some one had whispered his name.
“Hello!” he cried, and then again, “Hello!” There was no answer. His voice sounded shockingly loud in the moist, enveloping fog.
Source: Wikisource

Portrait of Mary Heaton Vorse Mary Heaton Vorse The Halfway House (1921)

You can go, if you like, and see at Spinet Rock the same flower that Mary’s mother slipped into the sand and which has flourished.
Then, if you like, you can explain it all by coincidence—that some lonely girl strayed from the cottages to talk to David on the dunes, and that she brought him the roses. But if you have been much on the outside shore you will not make your explanation chime with reason, because you will know that the reason of man is but a puny measure for creation’s immensity.
Source: Wikisource

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