Mary Roberts Rinehart

Mary Roberts Rinehart

Summary

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart,  Locked Doors — Part II (1914)

“ I closed the door behind me and stood blinking in the darkness. I listened. There was no sound above or below. Now houses at night have no terror for me. Every nurse is obliged to do more or less going about in the dark. But I was not easy. Suppose Mr. Reed should call me? True, I had locked my door and had the key in my pocket. But a dozen emergencies flew through my mind as I felt for the stair rail.
There was a curious odor through all the back staircase, a pungent, aromatic scent that, with all my familiarity with drugs, was strange to me.
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Source: Wikisource

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart,  Locked Doors — Part II (1914)

“ The staircase came down here, narrower than above, and closed off with a door. The door was closed and there was a heavy bolt on it but no lock.
And now, with the staircase accessible and a gaslight to keep up my courage, I grew brave, almost reckless. I would tell Mr. Patton all about this cellar, which his best men had not been able to enter. I would make a sketch for him—coalbins, laundry tubs, everything. Foolish, of course, but hold the gas jet responsible—the reckless bravery of light after hideous darkness.
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Source: Wikisource

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart,  Locked Doors — Part II (1914)

“ As I look back, I see a pair of disordered young rascals with Russian blouses and bare round knees doing a great deal of yelling and some very crooked throwing; a nurse sitting tailor fashion on the floor, alternately ducking to save her cap and making vigorous but ineffectual passes at the ball with her newspaper bat. And I see sunshine in the room and the dwarf parrot eating sugar out of his claw. And below, the fish floating in the aquarium, belly up and dull-eyed.
Mr. Reed brought up our luncheon tray.
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Source: Wikisource

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